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The Bootleg Series Vol. 12 - Bob Dylan 1965-1966 The Cutting Edge

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If you have any entries to add to the list or additions/corrections to existing entries, please let me know! Please note I cannot value your Dylan rarities - see the Mission page for reasons why. Contact the dealers on my Trading page for assistance!

Revised 07 January, 2024.

Thanks to Tim Dunn for information that The Bootleg Series Vol. 12 - Bob Dylan 1965-1966 The Cutting Edge will be released on 6 Nov 2015 in the USA and Europe, and on 18 Nov 2015 in Japan. This will be available in four formats: a 2CD set, a 3LP set, an expanded 6CD set, and a massive 18CD set that will include amongst other things all the sessions for Like A Rolling Stone, some of which were previously released in 1995 on the Highway 61 Interactive CD-ROM.

Columbia/Legacy C2K 93937 (USA) - inside pages 46-47 of booklet (picture used for The Bootleg Series Vol. 12 - Bob Dylan 1965-1966 The Cutting Edge in Nov 2015)

Columbia/Graphix Zone CDAC 085700 (USA, 1993)

The 18CD boxed set, which is available from bobdylan.com in the USA only, also includes nine vinyl 7" mono singles from 1965-66 in new picture sleeves.

Thanks to Harald Sigvartsen for pointing out that the picture on page 46 of the booklet of 2005's The Bootleg Series Vol. 7: No Direction Home - The Soundtrack is the one used for the front of all versions of this release in Nov 2015.

I have now updated the Official Rarities listings with all the tracks that are released in these sets. Previous rarities now released on the 2CD and 6CD sets are classed as officially released, but previous rarities released only on the 18CD set remain rarities! With the possible exception of the hotel room tracks on CD18 of the Collector's Edition, all the tracks on these three editions have been remixed in stereo from the original master tapes. These are reportedly in superb quality and much more "natural" to modern ears than the sometimes artificial 1960s stereo mixes. As Ben Rollins says in the book with the 18CD set: "released masters have been remixed in order to fit the sound of the way these alternate takes are presented... raw, immediate, unvarnished, unpolished" (thanks to T J Young for the quote).

The various stereo versions of the three 1965-66 albums are:

Bringing It All Back Home: the original 1965 stereo mix, original 1987 CD mix; 2003 SA-CD stereo mix by Greg Calbi, 2003 SA-CD 5.1 mix by Michael Brauer; 2013 SA-CD stereo remix by Michael Brauer.

The current CD release contains the CD layer of the 2003 hybrid SA-CD release mixed by Greg Calbi. The remastered stereo versions of the 1965 album tracks occur on the 18CD set as follows:

Subterranean Homesick Blues (CD1, track 24); She Belongs To Me (CD2, track 2); Maggie's Farm (CD2, track 9); Love Minus Zero/No Limit (CD1, track 20); Outlaw Blues (CD1, track 27); On The Road Again (CD2, track 16); Gates Of Eden (CD2, track 19); Mr. Tambourine Man (CD2, track 23); It’s All Right, Ma (I’m Only Bleeding) (CD2, track 18); It’s All Over Now, Baby Blue (CD2, track 24); Bob Dylan’s 115th Dream (intro with laughing - CD1, track 5, complete take - CD2, track 4).

Highway 61 Revisited: the Witmark "Rough Mix" tape, the original 1965 stereo mix, original 1987 CD mixes worldwide; the 1992 gold CD stereo mix by Steve Hoffman, 2003 SA-CD stereo mix by Greg Calbi, 2003 SA-CD 5.1 mix by Greg Calbi.

The current CD release contains the CD layer of the 2003 hybrid SA-CD release mixed by Greg Calbi. The remastered stereo versions of the 1965 album tracks occur on the 18CD set as follows:

Like A Rolling Stone (CD4, track 4); Tombstone Blues (CD5, track 11); It Takes A Lot To Laugh, It Takes A Train To Cry (CD5, track 15); From A Buick Six (CD6, track 5); Ballad Of A Thin Man (CD7, track 19); Queen Jane Approximately (CD7, track 16); Highway 61 Revisited (CD6, track 29); Just Like Tom Thumb’s Blues (CD7, track 9); Desolation Row (CD8, track 11).

Blonde On Blonde: According to Roger Ford the different stereo mixes of this album are: US 1966 original stereo mix; US revised stereo mix introduced in 1968; original 1987 CD mixes worldwide (abridged 1, abridged 2 and full-length) by Tim Geelan; 1992 gold CD mix by Mark Wilder; 1999 SA-CD stereo mix by Michael Brauer (also used on the 2003 hybrid SA-CD release); 2003 SA-CD 5.1 mix by Michael Brauer (from the 2003 hybrid SA-CD release).

The current CD release contains the CD layer of the 2003 hybrid SA-CD release, the same mix as the 1999 SA-CD stereo mix by Michael Brauer. The remastered stereo versions of the 1966 album tracks occur on the 18CD set as follows:

Rainy Day Women #12 & 35 (CD16, track 20); Pledging My Time (CD15, track 15); Visions of Johanna (CD13, track 10); One Of Us Must Know (Sooner Or Later) (CD12, track 2); I Want You (CD17, track 11); Stuck Inside Of Mobile With The Memphis Blues Again (CD15, track 2); Leopard-Skin Pill-Box Hat (CD17, track 5); Just Like A Woman (CD16, track 8); Most Likely You Go Your Way (And I'll Go Mine) (CD16, track 14); Temporary Like Achilles (CD16, track 18); Absolutely Sweet Marie (CD15, track 6); Fourth Time Around (CD13, track 6); Obviously Five Believers (CD17, track 4); Sad Eyed Lady of the Lowlands (CD14, track 4).

The Bootleg Series Vol. 12 - Bob Dylan 1965-1966 The Best Of The Cutting Edge

Titles in GREEN were previously released on earlier official Dylan albums and singles. Titles in RED are of songs not previously on a regular Bob Dylan album.

*Thanks to Harald Sigvartsen for pointing out that Can You Please Crawl Out Your Window?, track 3 on CD2 of the 2CD set, is only 4:05 and not the same as track 1 on CD4 of the Deluxe Edition, which is 4:38 and includes 33 seconds of instrumental Jingle Bells (James Lord Pierpont), which cuts out abruptly before the main song starts! Track 1 on CD4 of the Deluxe Edition is however exactly the same as track 7 of CD5 of the Collector's Edition at 4:38! Harald points out that track 3 on CD2 is therefore unique to The Best Of The Cutting Edge!

The Bootleg Series Vol. 12 - Bob Dylan 1965-1966 The Cutting Edge Deluxe Edition (6CD set)

Titles in GREEN were previously released on earlier official Dylan albums and singles (but may also be on the 2CD set). Titles in BLUE are also on the 2CD set The Bootleg Series Vol. 12 - Bob Dylan 1965-1966 The Best Of The Cutting Edge.

DISC 1:

1. Love Minus Zero/No Limit - Take 1 (1/13/1965) acoustic, incomplete

2. Love Minus Zero/No Limit - Take 2 (1/13/1965) acoustic

3. Love Minus Zero/No Limit - Take 3 remake (1/13/1965) acoustic

4. Love Minus Zero/No Limit - Take 1 remake (1/14/1965) electric

5. I’ll Keep It with Mine - Take 1 (1/13/1965) piano demo, previously released on Biograph, 1985

6. It’s All Over Now, Baby Blue - Take 1 (1/13/1965) solo acoustic, previously released on The Bootleg Series, Vol. 7, 2005

7. Bob Dylan’s 115th Dream - Take 1 (1/13/1965) acoustic, incomplete

8. Bob Dylan’s 115th Dream - Take 2 (1/13/1965) acoustic

9. She Belongs to Me - Take 1 (1/13/1965) solo acoustic

10. She Belongs to Me - Take 2 remake (1/13/1965) acoustic

11. She Belongs to Me - Take 1 remake (1/14/1965) electric

12. Subterranean Homesick Blues - Take 1 (1/13/1965) solo acoustic, previously released on The Bootleg Series, Vols. 1-3, 1991

13. Subterranean Homesick Blues - Take 1 remake (1/14/1965) electric

14. Outlaw Blues - Take 1 (1/13/1965) solo acoustic, previously released on "Exclusive Out-takes From 'The Bootleg Series Vol. 7: No Direction Home - The Soundtrack'"- Three Track Download Only Single, iTunes (USA/Europe), Nov 2005

15. Outlaw Blues - Take 2 remake (1/13/1965) electric

16. On the Road Again - Take 1 (1/13/1965) solo acoustic

17. On the Road Again - Take 4 (1/14/1965) electric

18. On the Road Again - Take 1 remake (1/15/1965) electric

19. On the Road Again - Take 7 remake (1/15/1965) electric

20. Farewell, Angelina - Take 1 (1/13/1965) solo acoustic, previously released on The Bootleg Series, Vols. 1-3, 1991

21. If You Gotta Go, Go Now - Take 1 (1/13/1965) solo acoustic

22. If You Gotta Go, Go Now - Take 2 (1/15/1965) electric (found on a 1965 acetate, R-0327, see 1965). Previously released with overdubs by The Poppies as the A-side of a 7" single in Holland, 1967, R-0055, see 1967)

23. You Don’t Have To Do That - Take 1 (1/13/1965) solo acoustic, incomplete

DISC 2:

1. California - Take 1 (1/13/1965) solo acoustic

2. It's Alright, Ma (I'm Only Bleeding) - Take 1 (1/15/1965) acoustic, demo

3. Mr. Tambourine Man - Takes 1 - 2 (1/15/1965) incomplete, with band

4. Mr. Tambourine Man - Take 3 (1/15/1965) incomplete, with band

5. It Takes a Lot to Laugh, It Takes a Train to Cry - Take 1 (6/15/1965)

6. It Takes a Lot to Laugh, It Takes a Train to Cry - Take 8 (6/15/1965)

7. It Takes a Lot to Laugh, It Takes a Train to Cry - Take 3 (7/29/1965)

8. It Takes a Lot to Laugh, It Takes a Train to Cry - Take 3 remake (7/29/65)

9. Sitting on a Barbed Wire Fence - Take 2 (6/15/1965)
   "Isis 182" says this might be track 14 or 16 on CD3 of the 18CD set - only listening will tell

10. Tombstone Blues - Take 1 (7/29/1965)

11. Tombstone Blues - Take 9 (7/29/1965) previously released on The Bootleg Series, Vol. 7, 2005

12. Positively 4th Street - Takes 1-3 (7/29/1965)

13. Positively 4th Street - Take 4 (7/29/1965)

14. Positively 4th Street - Take 5 (7/29/1965)

15. Desolation Row - Take 1 (8/4/1965)

16. Desolation Row - Take 2 (8/4/1965) piano demo

17. Desolation Row - Take 5 remake (8/2/1965)

18. From a Buick 6 - Take 1 (7/30/1965)

19. From a Buick 6 - Take 4 (7/30/1965) released in error on first pressing of Highway 61 Revisited, 1965 (R-0046, see 1965)

According to Michael Krogsgaard the takes of From A Buick 6 (CO86843, takes 1, 2, 4, 5) recorded on 30 Jul 1965 were listed as Lunatic Princess No. 3 on the recording session sheet.

DISC 3:

1. Like a Rolling Stone - Take 1-3 (6/15/1965)

2. Like a Rolling Stone - Take 4 (6/15/1965)

3. Like a Rolling Stone - Take 5 (6/15/1965)

4. Like a Rolling Stone - Rehearsal (6/16/1965)

5. Like a Rolling Stone - Take 1 (6/16/1965)

6. Like a Rolling Stone - Takes 2-3 (6/16/1965)

7. Like a Rolling Stone - Take 4 (6/16/1965) previously released on Highway 61 Revisited, 1965

8. Like a Rolling Stone - Take 5 (6/16/1965)

9. Like a Rolling Stone - Take 6 (6/16/1965)

10. Like a Rolling Stone -Take 8 (6/16/1965)

11. Like a Rolling Stone - Takes 9-10 (6/16/1965)

12. Like a Rolling Stone - Take 11 (6/16/1965)

13. Like a Rolling Stone - Take 12 (6/16/1965)

14. Like a Rolling Stone - Take 13 (6/16/1965)

15. Like a Rolling Stone - Take 14 (6/16/1965)

16. Like a Rolling Stone - Take 15 (6/16/1965)

17. Like a Rolling Stone - Master take - lead guitar isolated track

18. Like a Rolling Stone - Master take - vocal and guitar isolated track

19. Like a Rolling Stone - Master take - drums and organ isolated track

20. Like a Rolling Stone - Master take - piano and bass isolated track

Several takes from the Like A Rolling Stone sessions were previously released in 1995 on the Highway 61 Interactive CD-ROM, part of R-0242.

DISC 4:

1. Can You Please Crawl Out Your Window? - Take 1 (7/30/1965) (4:38)
   Thanks to Harald Sigvartsen for pointing out that this track at 4:38 is not the same as track 3 on CD2 of the 2CD set, which is 4:05. This track includes 33 seconds of instrumental Jingle Bells (James Lord Pierpont), which cuts out abruptly before the main song starts! Track 1 on CD4 of the Deluxe Edition is however exactly the same as track 7 of CD5 of the Collector's Edition at 4:38.

2. Can You Please Crawl Out Your Window? - Take 17 (7/30/1965 released in error on the first pressing of Positively 4th Street single (R-0044, see 1965) (4:01)

3. Highway 61 Revisited - Take 3 (8/2/1965) (3:30)

4. Highway 61 Revisited - Take 5 (8/2/1965) (3:41)

5. Highway 61 Revisited - Take 7, false start (8/2/1965) (0:34)

6. Just Like Tom Thumb’s Blues - Take 1, breakdown (8/2/1965) (1:10)

7. Just Like Tom Thumb’s Blues - Take 3, rehearsal (8/2/1965) (5:40)

8. Just Like Tom Thumb’s blues - Take 13 (8/2/1965) (5:29)

9. Queen Jane Approximately - Take 2 (8/2/1965) (5:20)

10. Queen Jane Approximately - Take 5 (8/2/1965) (6:03)

11. Ballad of a Thin Man - Take 2 (8/2/1965) incomplete (1:54)

12. Medicine Sunday - Take 1 (10/5/1965) previously released in 1995 on the Highway 61 Interactive CD-ROM, part of R-0242 (1:02)

13. Jet Pilot - Take 1 (10/5/1965) previously released on Biograph, 1985 (1:27)

14. I Wanna Be Your Lover - Take 1 (10/5/1965) (1:08)

15. I Wanna Be Your Lover - Take 6 (10/5/1965) (3:30)

16. Unknown Instrumental - Take 2 (10/5/1965) This is presumably the instrumental track bootlegged as Number One(4:03)

17. Can You Please Crawl Out Your Window? - Take 6 (11/30/1965) (3:49)

18. Visions of Johanna - Take 1, rehearsal (11/30/1965) (1:44)

19. Visions of Johanna - Take 5, rehearsal (11/30/1965) (7:39)

DISC 5:

1. Visions of Johanna - Take 7 (11/30/1965)

2. Visions of Johanna - Take 8 (11/30/1965) previously released on The Bootleg Series, Vol. 7, 2005

3. Visions of Johanna - Take 14 (11/30/1965)

4. She’s Your Lover Now - Take 1 (1/21/1966)

5. She’s Your Lover Now - Take 6 (1/21/1966)

6. She’s Your Lover Now - Take 15 (1/21/1966) previously released on The Bootleg Series, Vols. 1-3, 1991

7. She’s Your Lover Now - Take 16 (1/21/1966) solo piano, previously released on a 1966 Columbia US acetate that surfaced in 1980 (R-0047, see 1980)

8. One of Us Must Know (Sooner or Later) - Take 2 (1/25/1966)

9. One of Us Must Know (Sooner or Later) - Take 4 (1/25/1966)

10. One of Us Must Know (Sooner or Later) - Take 19 (1/25/1966)

11. Lunatic Princess – Take 1 (1/27/1966) Incomplete - although a song listed as Lunatic Princess was recorded on 30 Jul 1965, an early version of From A Buick 6 (CO86843, takes 1, 2, 4, 5), this is the song listed as "Unknown" on the recording session sheet for 27 Jan 1966 (CO89218) that Krogsgaard identified as I'll Keep It With Mine. It starts "Why do you have to be so frantic..." (thanks to Arie de Reus)

12. Fourth Time Around - Take 11 (2/14/1966)

13. Leopard-Skin Pill-Box Hat - Take 3 (2/14/1966)

14. Leopard-Skin Pill-Box Hat - Take 8 (2/14/1966)

15. Rainy Day Women #12 & 35 - Take 1, Rehearsal and Finished Track (3/10/1966)

Detail of rear of slipcase of Deluxe Edition

Thanks to Sonny Boy McFitzson and Harald Sigvartsen for pointing out that track 15 at the end of DISC 5 of the 6CD set (6:18) was missing from the official tracklisting released before the set. It is listed on the rear of the slipcase of the 6CD set as "Rainy Day Women #12 & 35 - Take 1 - Complete" and starred as if previously released, but on Page 52 of Book 1 of the set it is listed as "Rainy Day Women #12 & 35 - Take 1 (3/10/1966), Rehearsal and finished track. Released on Blonde On Blonde, 1966". These are tracks 19 and 20 of DISC 16 of the Collector's Edition, listed there separately as "Rehearsal" and "Take 1". Take 1 (4:42) is the take listed on the recording session sheets as "A Long Haired Mule And A Porkepine" (spelling as shown), not fading out quite as quickly as the version on Blonde On Blonde (4:38). Track 15 of CD5 of the Deluxe Edition is 6:18, while tracks 19 and 20 of CD16 of the Collector's Edition are 1:36 and 4:42, adding up to 6:18. Track 15 on CD5 of the Deluxe Edition is therefore incorrectly shown on the slipcase as being previously released, since the included rehearsal is new to the 6CD and 18CD versions of this 2015 release and not previously released!

Detail of Page 52 of Deluxe Edition Book 1 (with discs) - track 15 of CD5 is 6:18

Detail of inside page of Collector's Edition Book 1 (with discs) - tracks 19 and 20 of CD16 are 1.36 and 4:42, making 6:18 in total

DISC 6:

1. Stuck Inside of Mobile with the Memphis Blues Again - Take 1 (2/17/1966)

2. Stuck Inside of Mobile with the Memphis Blues Again - Rehearsal (2/17/1966)

3. Stuck Inside of Mobile with the Memphis Blues Again - Take 5 (2/17/1966) previously released on The Bootleg Series, Vol. 7, 2005

4. Stuck Inside of Mobile with the Memphis Blues Again - Take 13 (2/17/1966)

5. Stuck Inside of Mobile with the Memphis Blues Again - Take 14 (2/17/1966)

6. Absolutely Sweet Marie - Take 1 (3/7/1966)

7. Just Like a Woman - Take 1 (3/8/1966)

8. Just Like a Woman - Take 4 (3/8/1966)

9. Just Like a Woman - Take 8 (3/8/1966)

10. Pledging My Time - Take 1 (3/8/1966)

11. Most Likely You Go Your Way (And I’ll Go Mine) - Take 1 (3/9/1966)

12. Temporary Like Achilles - Take 3 (3/9/1966)

13. Obviously 5 Believers - Take 3 (3/10/1966)

14. I Want You - Take 4 (3/10/1966)

15. Sad-Eyed Lady of the Lowlands - Take 1 - (2/16/1966)

The Bootleg Series Vol. 12 - Bob Dylan 1965-1966 The Cutting Edge Collector's Edition (18CD set)

Thanks to Steve Perrin for finding this quote from materials company LBS of Des Moines, IA: "When designing the 18CD Collector's Edition of The Cutting Edge 1965-1966: The Bootleg Series Vol. 12, Sony and their design team were looking for a beautiful blue material to cover the box that would house this amazing collection. Their search brought them to LBS and our large in-house inventory of woven and non-woven cover materials. The material they selected was our royal blue "Kennett"®. This material provides a natural look and feel and is an excellent choice for custom packaging!"

Titles in GREEN were previously released on earlier official Dylan albums and singles (but may also be on the 2CD and 6CD sets).

Titles in BLUE are also on the 2CD set The Bootleg Series Vol. 12 - Bob Dylan 1965-1966 The Best Of The Cutting Edge (and also on the 6CD set).

Titles in PURPLE are also on the 6CD set The Bootleg Series Vol. 12 - Bob Dylan 1965-1966 The Cutting Edge Deluxe Edition.

All the remaining titles (in BLACK) are classed as rarities and have been added to the 2015 Rarities web-page.

DISC 1

1. Love Minus Zero/No Limit – Take 1 (1/13/1965) Breakdown (1:34)

2. Love Minus Zero/No Limit – Take 2 (1/13/1965) Complete (3:11)

3. I’ll Keep It With Mine – Take 1 (1/13/1965) previously released on Biograph, 1985 (4:12)

4. It’s All Over Now, Baby Blue – Take 1 (1/13/1965) previously released on The Bootleg Series, Vol. 7, 2005 (3:35)

5. Bob Dylan’s 115th Dream – Take 1 (1/13/1965) Fragment. Previously released on Bringing It All Back Home, 1965 (0:27)

6. Bob Dylan’s 115th Dream – Take 2 (1/13/1965) Complete (5:50)

7. She Belongs To Me – Take 1 (1/13/1965) Complete (2:58)

8. Subterranean Homesick Blues – Take 1 (1/13/1965) Complete, previously released on The Bootleg Series, Vols. 1-3, 1991 (3:08)

9. Outlaw Blues – Take 1 (1/13/1965) Complete, previously released on "Exclusive Out-takes From 'The Bootleg Series Vol. 7: No Direction Home - The Soundtrack'"- Three Track Download Only Single, iTunes (USA/Europe), Nov 2005 (2:17)

10. On The Road Again – Take 1 (1/13/1965) Complete (3:22)

11. Farewell Angelina – Take 1 (1/13/1965) previously released on The Bootleg Series, Vols. 1-3, 1991 (5:59)

12. If You Gotta Go, Go Now – Take 1 (1/13/1965) Complete (3:24)

13. You Don’t Have to Do That – Take 1 (1/13/1965) Incomplete (0:51)

14. California – Take 1 (1/13/1965) Complete (3:06)

15. Love Minus Zero/No Limit – Take 3 remake (1/13/1965) Complete (3:41)

16. She Belongs To Me – Take 2 remake (1/13/1965) Complete (3:21)

17. Outlaw Blues – Take 1 remake (1/13/1965) False start (0:29)

18. Outlaw Blues – Take 2 remake (1/13/1965) Complete (3:32)

19. Love Minus Zero/No Limit – Take 1 remake (1/14/1965) Complete (2:49)

20. Love Minus Zero/No Limit – Take 2 remake (1/14/1965) previously released on Bringing It All Back Home, 1965 (2:58)

21. Love Minus Zero/No Limit – (1/14/1965) Insert (2:53)

22. Subterranean Homesick Blues – Take 1 remake (1/14/1965) Complete (2:40)

23. Subterranean Homesick Blues – Take 2 remake (1/14/1965) False start (0:24)

24. Subterranean Homesick Blues – Take 3 remake (1/14/1965) previously released on Bringing It All Back Home, 1965 (2:28)

25. Outlaw Blues – Take 1 remake (1/14/1965) False start (0:31)

26. Outlaw Blues – Take 2 remake (1/14/1965) Fragment/breakdown (1:01)

27. Outlaw Blues – Take 3 remake (1/14/1965) previously released on Bringing It All Back Home, 1965 (3:10)

DISC 2

1. She Belongs To Me – Take 1 remake (1/14/1965) Complete (2:49)

2. She Belongs To Me – Take 2 remake (1/14/1965) previously released on Bringing It All Back Home, 1965 (2:50)

3. Bob Dylan’s 115th Dream – Take 1 (1/14/1965) False start (0:08)

4. Bob Dylan’s 115th Dream – Take 2 (1/14/1965) previously released on Bringing It All Back Home, 1965 (6:08)

5. On The Road Again – Take 1 (1/14/1965) False start (0:28)

6. On The Road Again – Take 2 (1/14/1965) Complete (2:54)

7. On The Road Again – Take 3 (1/14/1965) False start (0:43)

8. On The Road Again – Take 4 (1/14/1965) Complete (2:32)

9. Maggie’s Farm – Take 1 (1/15/1965) previously released on Bringing It All Back Home, 1965 (4:01)

10. On The Road Again – Take 1 remake (1/15/1965) Complete (2:31)

11. On The Road Again – Takes 2-6 remake (1/15/1965) False starts/complete (2:47)

12. On The Road Again – Take 7 remake (1/15/1965) Complete (2:39)

13. On The Road Again – Takes 8-9 remake (1/15/1965) False starts (0:38)

14. On The Road Again – Take 11 remake (1/15/1965) False start (0:46)

15. On The Road Again – Take 12 remake (1/15/1965) False start (0:16)

16. On The Road Again – Take 13 remake (1/15/1965) previously released on Bringing It All Back Home, 1965 (2:39)

17. It’s Alright, Ma (I’m Only Bleeding) – Take 1 (1/15/1965) False start (1:10)

18. It’s Alright, Ma (I’m Only Bleeding) – Take 2 (1/15/1965) previously released on Bringing It All Back Home, 1965 (7:32)

19. Gates Of Eden – Take 1 (1/15/1965) previously released on Bringing It All Back Home, 1965 (5:45)

20. Mr. Tambourine Man – Takes 1-2 (1/15/1965) False starts (1:52)

21. Mr. Tambourine Man – Take 3 (1/15/1965) Breakdown (3:25)

22. Mr. Tambourine Man – Takes 4-5 (1/15/1965) Breakdown (0:28)

23. Mr. Tambourine Man – Take 6 (1/15/1965) previously released on Bringing It All Back Home, 1965 (5:55)

24. It’s All Over Now, Baby Blue – Take 1 remake (1/15/1965) previously released on Bringing It All Back Home, 1965 (4:14)

The tapes for the session listed by Michael Krogsgaard that took place on 14 Jan 1965 from 7-10 p.m., including John Hammond on guitar and John Sebastian on bass guitar, have not been found. The songs listed as having been recorded then are: Love Minus Zero/No Limit (CO85270); I'll Keep It With Mine (CO85271); It's All Over Now, Baby Blue (CO85272), Bob Dylan's 115th Dream (CO85273); She Belongs To Me (CO85274); Subterranean Homesick Blues (CO85275). Krogsgaard has no take details for these performances, which should come between tracks 8 and 9 on CD2.

DISC 3

1. If You Gotta Go, Go Now – Take 1 (1/15/1965) Complete (2:50)

2. If You Gotta Go, Go Now – Take 2 (1/15/1965) Complete (2:51) (found on a 1965 acetate, R-0327, see 1965). Previously released with overdubs by The Poppies as the A-side of a 7" single in Holland, 1967, R-0055, see 1967)

3. If You Gotta Go, Go Now – Take 3 (1/15/1965) Complete (3:12)

4. If You Gotta Go, Go Now – Take 4 (1/15/1965) previously released on The Bootleg Series, Vols. 1-3, 1991 (2:50)

5. It Takes A Lot To Laugh, It Takes A Train To Cry – Take 1 (6/15/1965) Complete (2:41)

6. It Takes A Lot To Laugh, It Takes A Train To Cry – Takes 2-3 (6/15/1965) Fragments (0:18)

7. It Takes A Lot To Laugh, It Takes A Train To Cry – Take 4 (6/15/1965) Breakdown (1:53)

8. It Takes A Lot To Laugh, It Takes A Train To Cry – Take 5 (6/15/1965) False start (0:17)

9. It Takes A Lot To Laugh, It Takes A Train To Cry – Take 6 (6/15/1965) Breakdown (1:47)

10. It Takes A Lot To Laugh, It Takes A Train To Cry – Take 7 (6/15/1965) Insert (0:57)

11. It Takes A Lot To Laugh, It Takes A Train To Cry – Take 8 (6/15/1965) Complete (3:49)

12. It Takes A Lot To Laugh, It Takes A Train To Cry – Take 9 (6/15/1965) previously released on The Bootleg Series, Vol. 7, 2005 (2:41)

13. Sitting On A Barbed Wire Fence – Take 1 (6/15/1965) Rehearsal and breakdown (1:26)

14. Sitting On A Barbed Wire Fence – Take 2 (6/15/1965) Complete (4:00)

15. Sitting On A Barbed Wire Fence – Take 3 (6/15/1965) previously released on The Bootleg Series, Vols. 1-3, 1991 (5:30)

16. Sitting On A Barbed Wire Fence – Take 2 (6/15/1965) Edited version (3:55)

17. It Takes A Lot to Laugh, It Takes A Train To Cry – Take 1 remake (6/15/1965) previously released on The Bootleg Series, Vols. 1-3, 1991 (3:30)

18. Sitting On A Barbed Wire Fence – Takes 4-5 (6/15/1965) False starts (0:42)

19. Sitting On A Barbed Wire Fence – Take 6 (6/15/1965) Complete (4:53)

20. Like A Rolling Stone – Takes 1-3 (6/15/1965) Rehearsal (5:51)

21. Like A Rolling Stone – Take 4 (6/15/1965) Rehearsal (2:57). Partially released on The Bootleg Series Vols. 1-3, 1991
    Thanks to Neil Burling for pointing out that the version on The Bootleg Series has been edited to remove Bob clearing his throat after the first line!

22. Like A Rolling Stone – Take 5 (6/15/1965) Breakdown (2:16)

DISC 4

1. Like A Rolling Stone – Rehearsal remake (6/16/1965) Rehearsal (2:34)

2. Like A Rolling Stone – Take 1 remake (6/16/1965) Rehearsal (1:58)

3. Like A Rolling Stone – Takes 2-3 remake (6/16/1965) False starts (0:35)

4. Like A Rolling Stone – Take 4 remake (6/16/1965) previously released on Highway 61 Revisited, 1965 (6:29)

5. Like A Rolling Stone – Take 5 remake (6/16/1965) Rehearsal (1:55)

6. Like A Rolling Stone – Take 6 remake (6/16/1965) False start (0:21)

7. Like A Rolling Stone – Take 8 remake (6/16/1965) Breakdown (4:19)

8. Like A Rolling Stone – Takes 9-10 remake (6/16/1965) False starts (0:35)

9. Like A Rolling Stone – Take 11 remake (6/16/1965) Complete (5:57)

10. Like A Rolling Stone – Take 12 remake (6/16/1965) False start (0:10)

11. Like A Rolling Stone – Take 13 remake (6/16/1965) Breakdown (1:37)

12. Like A Rolling Stone – Take 14 remake (6/16/1965) False start (0:24)

13. Like A Rolling Stone – Take 15 remake (6/16/1965) Breakdown (3:09)

14. Like A Rolling Stone – (6/16/1965) Master take, guitar (6:25)

15. Like A Rolling Stone – (6/16/1965) Master take, vocals, guitar (BD) (6:25)

16. Like A Rolling Stone – (6/16/1965) Master take, piano, bass (6:25)

17. Like A Rolling Stone – (6/16/1965) Master take, drums, organ (6:28)

Several takes from the Like A Rolling Stone sessions were previously released in 1995 on the Highway 61 Interactive CD-ROM, part of R-0242.

DISC 5

1. It Takes A Lot To Laugh, It Takes A Train To Cry – Take 1 (7/29/1965) Breakdown (1:51)

2. It Takes A Lot To Laugh, It Takes A Train To Cry – Take 2 (7/29/1965) False start (0:24)

3. It Takes A Lot To Laugh, It Takes A Train To Cry – Take 3 (7/29/1965) Incomplete (3:13)

4. Tombstone Blues – Take 1 (7/29/1965) Complete (7:30)

5. Tombstone Blues – Takes 2-3 (7/29/1965) False starts (1:16)

6. Tombstone Blues – Take 4 (7/29/1965) Complete (6:59)

7. Tombstone Blues – Takes 5-7 (7/29/1965) False starts, rehearsal (1:54)

8. Tombstone Blues – Take 9 (7/29/1965) previously released on The Bootleg Series, Vol. 7, 2005 (3:37)

9. Tombstone Blues – Take 10 (7/29/1965) False start (0:25)

10. Tombstone Blues – Take 11 (7/29/1965) Breakdown (3:15)

11. Tombstone Blues – Take 12 (7/29/1965) previously released on Highway 61 Revisited, 1965 (6:13)

12. It Takes A Lot To Laugh, It Takes A Train To Cry – Take 1 (7/29/1965) Complete (3:51)

13. It Takes A Lot To Laugh, It Takes A Train To Cry – Take 2 (7/29/1965) False start (0:24)

14. It Takes A Lot To Laugh, It Takes A Train To Cry – Take 3 (7/29/1965) Complete (3:42)

15. It Takes A Lot To Laugh, It Takes A Train To Cry – Take 4 (7/29/1965) previously released on Highway 61 Revisited, 1965 (4:14)

16. Positively 4th Street – Takes 1-3 (7/29/1965) False starts (0:57)

17. Positively 4th Street – Take 4 (7/29/1965) Complete (4:24)

18. Positively 4th Street – Take 5 (7/29/1965) Complete (4:25)

19. Positively 4th Street – Take 6 (7/29/1965) Breakdown (0:53)

20. Positively 4th Street – Take 7 (7/29/1965) Breakdown (1:13)

21. Positively 4th Street – Take 8 (7/29/1965) Breakdown (2:56)

22. Positively 4th Street – Take 10 (7/29/1965) Breakdown (1:02)

23. Positively 4th Street – Take 12 (7/29/1965) previously released as a single, 1965, and on Bob Dylan's Greatest Hits, 1967 (4:23)

DISC 6

1. Desolation Row – Take 1 (7/29/1965) previously released on The Bootleg Series Vol. 7, 2005 (11:47)
   An alternate take of Desolation Row (R-0378, see 1965) was included on a Highway 61 Revisited Witmark mono reel-to-reel tape, Aug 1965. Arie de Reus identifies it as this take, which means that R-0378 can be moved to the Released Rarities page. Michael Krogsgaard dates it as 30 Jul 1965.

2. From A Buick 6 – Take 1 (7/30/1965) False start (0:23)

3. From A Buick 6 – Take 2 (7/30/1965) False start (0:16)

4. From A Buick 6 – Take 4 (7/30/1965) Accidentally released on the first pressing of Highway 61 Revisited, 1965 (R-0046, see 1965) (3:12)

5. From A Buick 6 – Take 5 (7/30/1965) previously released on Highway 61 Revisited, 1965 (3:41)

6. Can You Please Crawl Out Your Window? – Takes 1-4 (7/30/1965) False starts (1:31)

7. Can You Please Crawl Out Your Window? – Take 1 (7/30/1965) Complete (4:38)
   Thanks to Harald Sigvartsen for pointing out that this track at 4:38 is not the same as track 3 on CD2 of the 2CD set, which is only 4:05. This track includes 33 seconds of instrumental Jingle Bells (James Lord Pierpont), which cuts out abruptly before the main song starts! Track 7 of CD6 of the Collector's Edition is, however, exactly the same as track 1 on CD4 of the Deluxe Edition at 4:38.

8. Can You Please Crawl Out Your Window? – Take 2 (7/30/1965) False start (0:35)

9. Can You Please Crawl Out Your Window? – Take 3 (7/30/1965) Complete (4:10)

10. Can You Please Crawl Out Your Window? – Take 4 (7/30/1965) False start (0:26)

11. Can You Please Crawl Out Your Window? – Take 5 (7/30/1965) Complete (4:08)

12. Can You Please Crawl Out Your Window? – Take 6 (7/30/1965) Rehearsal/false start (0:12)

13. Can You Please Crawl Out Your Window? – Take 7 (7/30/1965) False start (0:26)

14. Can You Please Crawl Out Your Window? – Take 8 (7/30/1965) False start (0:42)

15. Can You Please Crawl Out Your Window? – Takes 10-11 (7/30/1965) False starts (0:49)

16. Can You Please Crawl Out Your Window? – Take 12 (7/30/1965) Complete (3:48)

17. Can You Please Crawl Out Your Window? – Take 14 (7/30/1965) Breakdown (1:05)

18. Can You Please Crawl Out Your Window? – Take 15 (7/30/1965) Breakdown (2:49)

19. Can You Please Crawl Out Your Window? – Take 17 (7/30/1965) Accidentally released as A-side of first pressing of Positively 4th Street single (R-0044, see 1965) (4:00)

20. Highway 61 Revisited – Take 1 (8/02/1965) False start (0:22)

21. Highway 61 Revisited – Take 2 (8/02/1965) False start (0:28)

22. Highway 61 Revisited – Take 3 (8/02/1965) Complete (3:30)

23. Highway 61 Revisited – Take 4 (8/02/1965) False start (0:08)

24. Highway 61 Revisited – Take 5 (8/02/1965) Complete (3:30)

25. Highway 61 Revisited – Take 5 (mis-slate) (8/02/1965) Complete (3:19)

26. Highway 61 Revisited – Take 6 (8/02/1965) previously released on The Bootleg Series, Vol. 7, 2005 (3:38)

27. Highway 61 Revisited – Take 7 (8/02/1965) False start (0:34)

28. Highway 61 Revisited – Take 8 (8/02/1965) False start (0:27)

29. Highway 61 Revisited – Take 9 (8/02/1965) previously released on Highway 61 Revisited, 1965 (3:34)

According to Michael Krogsgaard the takes of From A Buick 6 (CO86843, takes 1, 2, 4, 5) recorded on 30 Jul 1965 were listed as Lunatic Princess No. 3 on the recording session sheet.

DISC 7

1. Just Like Tom Thumb’s Blues – Take 1 (8/02/1965) Breakdown (1:09)

2. Just Like Tom Thumb’s Blues – Take 3 (8/02/1965) Complete (5:40)

3. Just Like Tom Thumb’s Blues – Take 4 (8/02/1965) Rehearsal (0:20)

4. Just Like Tom Thumb’s Blues – Take 5 (8/02/1965) previously released on The Bootleg Series Vol. 7, 2005 (5:45)

5. Just Like Tom Thumb’s Blues – Takes 9-10 (8/02/1965) Breakdown (1:14)

6. Just Like Tom Thumb’s Blues – Takes 11-12 (8/02/1965) False starts (0:24)

7. Just Like Tom Thumb’s Blues – Take 13 (8/02/1965) Complete (5:29)

8. Just Like Tom Thumb’s Blues – Takes 14-15 (8/02/1965) False starts (0:43)

9. Just Like Tom Thumb’s Blues – Take 16 (8/02/1965) previously released on Highway 61 Revisited, 1965 (5:35)

10. Queen Jane Approximately – Take 1 (8/02/1965) Rehearsal (0:24)

11. Queen Jane Approximately – Take 2 (8/02/1965) Complete (5:19)

12. Queen Jane Approximately – Take 3 (8/02/1965) False start (0:45)

13. Queen Jane Approximately – Take 4 (8/02/1965) False start (0:08)

14. Queen Jane Approximately – Take 5 (8/02/1965) Complete (6:03)

15. Queen Jane Approximately – Take 6 (8/02/1965) Complete (5:29)

16. Queen Jane Approximately – Take 7 (8/02/1965) previously released on Highway 61 Revisited, 1965 (5:25)

17. Ballad Of A Thin Man – Take 1 (8/02/1965) False start (0:42)

18. Ballad Of A Thin Man – Take 2 (8/02/1965) Breakdown (3:54)

19. Ballad Of A Thin Man – Take 3 (8/02/1965) previously released on Highway 61 Revisited, 1965 (5:56)

20. Ballad Of A Thin Man – Take 4 (8/02/1965) Insert (1:00)

DISC 8

1. Desolation Row – Takes 1-2 remake (8/02/1965) False start/breakdown (0:42)

2. Desolation Row – Take 3 remake (8/02/1965) Breakdown (1:56)

3. Desolation Row – Take 4 remake (8/02/1965) False start (0:18)

4. Desolation Row – Take 5 remake (8/02/1965) Complete (10:52)

5. Tombstone Blues – Take 1 (8/03/1965) Complete. Vocal overdub (2:48)

6. Tombstone Blues – Take 2 (8/03/1965) Complete. Vocal overdub (6:06)
   Previously released in 2014 on the Columbia/Legacy 3CD+DVD set Michael Bloomfield: From His Head To His Heart To His Hands (R-1014, see 2014)

7. Tombstone Blues – Take 3 (8/03/1965) Complete. Vocal overdub (6:06)

8. Desolation Row – Take 1 (8/04/1965) Rehearsal (1:12)

9. Desolation Row – Take 2 (8/04/1965) Piano demo (2:01)

10. Desolation Row – Take 1 (8/04/1965) Complete (with insert) (11:18)

11. Desolation Row – Take 5 (8/04/1965) Complete master without acoustic guitar overdub. previously released on Highway 61 Revisited, 1965 (11:18)

12. Desolation Row – Take 6 (8/04/1965) Guitar overdub (11:18)

13. Desolation Row – Take 7 (8/04/1965) Guitar overdub (0:12)

14. Tombstone Blues – Take 1 (8/04/1965) Harmonica overdub (1:04)

15. Medicine Sunday – Take 1 (10/05/1965) Incomplete (previously released in 1995 on the Highway 61 Interactive CD-ROM, part of R-0242) (1:02)

16. Medicine Sunday – Take 2 (10/05/1965) Incomplete (1:00)

17. Jet Pilot – Take 1 (10/05/1965) previously released on Biograph, 1985 (1:28)

18. I Wanna Be Your Lover – (10/05/1965) Rehearsal (5:33)

19. Can You Please Crawl Out Your Window? – Take 1 (10/05/1965) Fragment (0:57)

20. Can You Please Crawl Out Your Window? – Take 2 (10/05/1965) Fragment (1:21)

DISC 9

1. I Wanna Be Your Lover – Take 1 (10/05/1965) Fragment (1:06)

2. I Wanna Be Your Lover – Take 1 Edit 1 (10/05/1965) Complete (1:47)

3. I Wanna Be Your Lover – Take 1 Edit 2 (10/05/1965) Complete (2:10)

4. I Wanna Be Your Lover – Take 2 (10/05/1965) Complete (2:03)

5. I Wanna Be Your Lover – (10/05/1965) Rehearsal (1:41)

6. I Wanna Be Your Lover – Take 3 10/05/1965) Complete (2:46)

7. I Wanna Be Your Lover – Take 4 (10/05/1965) Complete (2:50)

8. I Wanna Be Your Lover – Take 5 (10/05/1965) Complete (3:37)

9. I Wanna Be Your Lover – Take 6 (10/05/1965) Complete (3:31)

10. I Wanna Be Your Lover – Take 6 (mis-slate) (10/05/1965) previously released on Biograph, 1985 (3:30)

11. Instrumental – Take 1 (10/05/1965) Fragment (0:07)

12. Instrumental – Take 2 (10/05/1965) Complete. This is the instrumental track bootlegged as Number One, confirmed by Arie de Reus (4:03)

13. Visions Of Johanna – Take 1 (11/30/1965) Rehearsal (1:43)

14. Visions Of Johanna – Take 2 (11/30/1965) Rehearsal (1:57)

15. Visions Of Johanna – Take 3 (11/30/1965) Rehearsal (2:53)

16. Visions Of Johanna – Take 4 (11/30/1965) Complete (7:43)

17. Visions Of Johanna – Take 5 (11/30/1965) Complete (7:41)

18. Visions Of Johanna – Take 6 (11/30/1965) Rehearsal (1:57)

19. Visions Of Johanna – Take 7 (11/30/1965) Complete (9:10)

20. Visions Of Johanna – Take 8 (11/30/1965) previously released on The Bootleg Series, Vol. 7, 2005 (7:04)

DISC 10

1. Visions Of Johanna – Takes 9-12 (11/30/1965) False starts (2:17)

2. Visions Of Johanna – Take 13 (11/30/1965) Breakdown (1:31)

3. Visions Of Johanna – Take 14 (11/30/1965) Complete (7:32)

4. Can You Please Crawl Out Your Window? – Take 1 (11/30/1965) False start (0:12)

5. Can You Please Crawl Out Your Window? – Take 2 (11/30/1965) False start, rehearsal (1:15)

6. Can You Please Crawl Out Your Window? – Take 3 (11/30/1965) False start (0:15)

7. Can You Please Crawl Out Your Window? – Take 4 (11/30/1965) False start, rehearsal (1:34)

8. Can You Please Crawl Out Your Window? – Take 6 (11/30/1965) Complete (3:48)

9. Can You Please Crawl Out Your Window? – Take 7 (11/30/1965) Breakdown (0:43)

10. Can You Please Crawl Out Your Window? – Take 8 (11/30/1965) Complete (3:49)

11. Can You Please Crawl Out Your Window? – Take 9 (11/30/1965) False start (0:14)

12. Can You Please Crawl Out Your Window? – Take 10 (11/30/1965) previously released as a mono 7" single in October, 1965 (3:57)

13. She’s Your Lover Now – Take 1 (1/21/1966) Breakdown (3:01)

14. She’s Your Lover Now – Take 2 (1/21/1966) Rehearsal (0:16)

15. She’s Your Lover Now – Take 3 (1/21/1966) Breakdown (1:00)

16. She’s Your Lover Now – Take 4 (1/21/1966) Incomplete (4:45)

17. She’s Your Lover Now – Take 5 (1/21/1966) Rehearsal (1:48)

18. She’s Your Lover Now – Take 6 (1/21/1966) Complete (4:59)

19. She’s Your Lover Now – Take 7 (1/21/1966) False start (1:19)

20. She’s Your Lover Now – Take 8 (1/21/1966) Rehearsal (1:05)

21. She’s Your Lover Now – Take 9 (1/21/1966) Rehearsal (1:32)

22. She’s Your Lover Now – Takes 10-11 (1/21/1966) Rehearsal (11:29)

23. She’s Your Lover Now – Take 12 (1/21/1966) Rehearsal (2:52)

24. She’s Your Lover Now – Take 13 (1/21/1966) Rehearsal (2:56)

DISC 11

1. She’s Your Lover Now – Take 14 (1/21/1966) Breakdown (3:12)

2. She’s Your Lover Now – Take 15 (1/21/1966) previously released on The Bootleg Series, Vols. 1-3, 1991 (6:25)

3. She’s Your Lover Now – (1/21/1966) Rehearsal (3:55)

4. She’s Your Lover Now – Take 16 (1/21/1966) Complete, previously released on a 1966 Columbia US acetate that surfaced in 1980 (R-0047, see 1980) (9:05)

5. Leopard-Skin Pill-Box Hat – Take 1 (1/25/1966) previously released on The Bootleg Series, Vol. 7, 2005 (6:24)

6. Leopard-Skin Pill-Box Hat – Take 2 (1/25/1966) Complete (4:15)

7. One Of Us Must Know (Sooner Or Later) – Take 1 (1/25/1966) Rehearsal (4:11)

8. One Of Us Must Know (Sooner Or Later) – Take 2 (1/25/1966) Rehearsal (2:17)

9. One Of Us Must Know (Sooner Or Later) – Take 3 (1/25/1966) Fragment (0:27)

10. One Of Us Must Know (Sooner Or Later) – Take 4 (1/25/1966) Rehearsal (1:54)

11. One Of Us Must Know (Sooner Or Later) – Take 5 (1/25/1966) Rehearsal (2:04)

12. One Of Us Must Know (Sooner Or Later) – Takes 6-8 (1/25/1966) Rehearsal (1:43)

13. One Of Us Must Know (Sooner Or Later) – Take 9 (1/25/1966) Rehearsal (2:56)

14. One Of Us Must Know (Sooner Or Later) – Takes 10-14 (1/25/1966) Rehearsal (2:45)

15. One Of Us Must Know (Sooner Or Later) – Take 15 (1/25/1966) Complete (5:52)

16. One Of Us Must Know (Sooner Or Later) – Takes 16-17 (1/25/1966) False starts (0:36)

17. One Of Us Must Know (Sooner Or Later) – Take 18 (1/25/1966) Complete (5:48)

18. One Of Us Must Know (Sooner Or Later) – (1/25/1966) Rehearsal (1:50)

19. One Of Us Must Know (Sooner Or Later) – Take 19 (1/25/1966) Complete (5:11)

20. One Of Us Must Know (Sooner Or Later) – Takes 21-22 (1/25/1966) Breakdown (1:51)

Thanks to Brian Grist for information that in Robbie Robertson's newly published autobiography "Testimony" he writes of recording Tell Me Momma at the same session (21 Jan 1966) as She's Your Lover Now, yet no evidence of such a recording has yet come to light. On page 207 he states: "We rambled through a song called She's Your Lover Now. Then another new tune, Tell Me, Momma, with its salty punch line- "Baby, tell me, what's wrong with you this time?''" Is the author mistaken or did Dylan and The Hawks work on it in the studio that day when the tapes were not rolling? If they did record it, why no sight of it on The Cutting Edge? (Only live versions of Tell Me, Momma are known to exist, all now found on the Columbia/Legacy 36CD set The 1966 Live Recordings, 2016.)

DISC 12

1. One Of Us Must Know (Sooner Or Later) – Take 23 (1/25/1966) Complete (5:11)

2. One Of Us Must Know (Sooner Or Later) – Take 24 (1/25/1966) previously released on Blonde On Blonde, 1966 (4:59)

3. One Of Us Must Know (Sooner Or Later) – (1/25/1966) Master take, guitar (BD) and organ (4:59)

4. One Of Us Must Know (Sooner Or Later) – (1/25/1966) Master take, vocal (4:59)

5. One Of Us Must Know (Sooner Or Later) – (1/25/1966) Master take, piano and drums (4:59)

6. One Of Us Must Know (Sooner Or Later) – (1/25/1966) Master take, guitar and bass (4:58)

7. Lunatic Princess – Take 1 (1/27/1966) Incomplete (1:21) - although a song listed as Lunatic Princess was recorded on 30 Jul 1965, an early version of From A Buick 6 (CO86843, takes 1, 2, 4, 5), this is the song listed as "Unknown" on the recording session sheet for 27 Jan 1966 (CO89218) that Krogsgaard identified as I'll Keep It With Mine. It starts "Why do you have to be so frantic..." (thanks to Arie de Reus)

8. Leopard-Skin Pill-Box Hat – Takes 1-2 (1/27/1966) False start, incomplete (3:01)

9. Leopard-Skin Pill-Box Hat – (1/27/1966) Insert (1:21)

10. I’ll Keep It With Mine – (no date listed) Rehearsal (5:40) Partially released on The Bootleg Series, Vols. 1-3, 1991 (3:38)

11. Fourth Time Around – Take 1 (2/14/1966) Rehearsal (0:12)

12. Fourth Time Around – Take 2 (2/14/1966) Breakdown (4:01)

13. Fourth Time Around – Takes 3-4 (2/14/1966) Rehearsal (0:46)

14. Fourth Time Around – Take 5 (2/14/1966) Complete (4:08)

15. Fourth Time Around – Takes 6-7 (2/14/1966) Rehearsal (3:03)

16. Fourth Time Around – Take 8 (2/14/1966) Rehearsal (2:02)

17. Fourth Time Around – Takes 9-10 (2/14/1966) False starts (0:34)

DISC 13

1. Fourth Time Around – Take 11 (2/14/1966) Complete (4:27)

2. Fourth Time Around – Takes 12-13 (2/14/1966) False starts (0:47)

3. Fourth Time Around – Takes 14-16 (2/14/1966) False starts (0:53)

4. Fourth Time Around – Takes 17-18 (2/14/1966) False starts (1:16)

5. Fourth Time Around – Take 19 (2/14/1966) Breakdown (1:51)

6. Fourth Time Around – Take 19 again (2/14/1966) previously released on Blonde On Blonde, 1966 (4:37)

7. Visions Of Johanna – Take 1 (2/14/1966) False start (0:23)

8. Visions Of Johanna – Take 2 (2/14/1966) Breakdown (2:45)

9. Visions Of Johanna – Take 3 (2/14/1966) False start (0:34)

10. Visions Of Johanna – Take 4 (2/14/1966) previously released on Blonde On Blonde, 1966 (7:34)

11. Leopard-Skin Pill-Box Hat – Takes 1-2 (2/14/1966) Rehearsal (1:18)

12. Leopard-Skin Pill-Box Hat – Take 3 (2/14/1966) Complete (4:27)

13. Leopard-Skin Pill-Box Hat – Takes 4-5 (2/14/1966) Rehearsal (1:13)

14. Leopard-Skin Pill-Box Hat – Take 6 (2/14/1966) Breakdown (1:20)

15. Leopard-Skin Pill-Box Hat – Take 6 again (2/14/1966) Rehearsal (0:42)

16. Leopard-Skin Pill-Box Hat – Take 8 (2/14/1966) Complete (3:26)

17. Leopard-Skin Pill-Box Hat – Take 9 (2/14/1966) Breakdown (1:56)

18. Leopard-Skin Pill-Box Hat – Take 10 (2/14/1966) False start (1:00)

19. Leopard-Skin Pill-Box Hat – Take 11 (2/14/1966) Breakdown (1:47)

20. Leopard-Skin Pill-Box Hat – Take 12 (2/14/1966) False start (0:15)

21. Leopard-Skin Pill-Box Hat – Take 13 (2/14/1966) Complete (2:42)

22. I’ll Keep It With Mine (instrumental) – Take 1 (2/15/1966) Rehearsal (0:31)

23. I’ll Keep It With Mine (instrumental) – Take 2 (2/15/1966) Rehearsal (1:08)

24. I’ll Keep It With Mine (instrumental) – Take 3 (2/15/1966) Rehearsal (0:07)

25. I’ll Keep It With Mine (instrumental) – Take 4 (2/15/1966) Rehearsal (2:01)

26. I’ll Keep It With Mine (instrumental) – Take 5 (2/15/1966) Rehearsal (1:49)

27. I’ll Keep It With Mine (instrumental) – Takes 6-7 (2/15/1966) Rehearsal (1:17)

28. I’ll Keep It With Mine (instrumental) – Take 8 (2/15/1966) Rehearsal (2:06)

29. I’ll Keep It With Mine (instrumental) – Take 8 again (2/15/1966) Complete (3:14)

30. I’ll Keep It With Mine (instrumental) – Take 9 (2/15/1966) Complete (R-0401, see below) (3:12)

R-0401 Keep It With Mine - instrumental version of I'll Keep It With Mine, out-take from Blonde On Blonde, recorded Columbia Studios, Nashville, TN, 15-16 Feb 1966, see The Goldmine Acetates, 1980.
This instrumental version turned up again in 2005 on the soundtrack of a film called The Wendell Baker Story, see VHS & DVD 2000s Part 3) and was also in the 2007 Todd Haynes film I'm Not There, see VHS & DVD 2000s Part 4). These instances are definitely track 30 on CD13 (identified by the drumming sound at 0:50).

DISC 14

1. Sad-Eyed Lady Of The Lowlands – Take 1 (2/16/1966) Complete (10:09)

2. Sad-Eyed Lady Of The Lowlands – Take 2 (2/16/1966) Rehearsal (2:07)

3. Sad-Eyed Lady Of The Lowlands – Take 3 (2/16/1966) Complete (12:20)

4. Sad-Eyed Lady Of The Lowlands – Take 4 (2/16/1966) previously released on Blonde On Blonde, 1966 (11:24)
   Thanks to Stephan Pickering for information this is not the original Take 4, which appeared exclusively on the Canadian mono pressing of Blonde On Blonde. On the original Take 4 Bob makes a vocal slip that's been rectified on all other releases of the album. At the end of the fourth verse he sings "how could they ever have...uh...'suaded you". This was corrected by a splicing from Take 1, "how [could they ever have persuaded] you". This track includes the splice!

5. Stuck Inside Of Mobile With The Memphis Blues Again – Take 1 (2/17/1966) Rehearsal (3:23)

6. Stuck Inside Of Mobile With The Memphis Blues Again – (2/17/1966) Rehearsal (4:54)

7. Stuck Inside Of Mobile With The Memphis Blues Again – Take 1 (2/17/1966) Breakdown (1:52)

8. Stuck Inside Of Mobile With The Memphis Blues Again – Takes 2-3 (2/17/1966) Rehearsal (1:14)

9. Stuck Inside Of Mobile With The Memphis Blues Again – Take 4 (2/17/1966) Breakdown (2:45)

10. Stuck Inside Of Mobile With The Memphis Blues Again – Take 4 (mis-slate) (2/17/1966) False start (0:11)

11. Stuck Inside Of Mobile With The Memphis Blues Again – Take 5 (2/17/1966) previously released on The Bootleg Series, Vol. 7, 2005 (5:53)

12. Stuck Inside Of Mobile With The Memphis Blues Again – Takes 6-8 (2/17/1966) False starts (0:40)

13. Stuck Inside Of Mobile With The Memphis Blues Again – Take 9 (2/17/1966) Breakdown (0:33)

14. Stuck Inside Of Mobile With The Memphis Blues Again – Take 10 (2/17/1966) False start (0:21)

15. Stuck Inside Of Mobile With The Memphis Blues Again – Takes 11-12 (2/17/1966) Breakdown (1:44)

16. Stuck Inside Of Mobile With The Memphis Blues Again – Take 13 (2/17/1966) Breakdown (4:08)

DISC 15

1. Stuck Inside Of Mobile With The Memphis Blues Again – Take 14 (2/17/1966) Complete (7:04)

2. Stuck Inside Of Mobile With The Memphis Blues Again – Take 15 (2/17/1966) previously released on Blonde On Blonde, 1966 (7:07)

3. Absolutely Sweet Marie – (3/07/1966) Rehearsal (3:19)

4. Absolutely Sweet Marie – Take 1 (3/07/1966) Complete (5:02)

5. Absolutely Sweet Marie – Take 2 (3/07/1966) False start (0:23)

6. Absolutely Sweet Marie – Take 3 (3/07/1966) previously released on Blonde On Blonde, 1966 (4:58)

7. Absolutely Sweet Marie – (3/07/1966) Insert (1:17)

8. Just Like A Woman – Take 1 (3/08/1966) Complete (4:32)

9. Just Like A Woman – Take 2 (3/08/1966) Complete (5:13)

10. Just Like A Woman – Take 3 (3/08/1966) Complete (5:13)

11. Just Like A Woman – Take 4 (3/08/1966) Complete (5:20)

12. Pledging My Time – Take 1 (3/08/1966) Breakdown (3:27)

13. Pledging My Time – (3/08/1966) Rehearsal (1:11)

14. Pledging My Time – Take 2 (3/08/1966) False start (0:22)

15. Pledging My Time – Take 3 (3/08/1966) previously released on Blonde On Blonde, 1966 (4:04)

16. Just Like A Woman – Take 5 (3/08/1966) False start (1:15)

17. Just Like A Woman – Take 6 (3/08/1966) Breakdown (3:26)

DISC 16

1. Just Like A Woman – Take 8 (3/08/1966) Complete (5:22)

2. Just Like A Woman – Takes 9-10 (3/08/1966) False start, breakdown (3:46)

3. Just Like A Woman – Takes 11-12 (3/08/1966) Rehearsal (1:21)

4. Just Like A Woman – Take 13 (3/08/1966) Breakdown (3:55)

5. Just Like A Woman – Takes 14-15 (3/08/1966) Rehearsal (1:31)

6. Just Like A Woman – Take 16 (3/08/1966) Complete (5:10)

7. Just Like A Woman – Take 17 (3/08/1966) Breakdown (0:52)

8. Just Like A Woman – Take 18 (3/08/1966) previously released on Blonde On Blonde, 1966 (4:53)

9. Most Likely You Go Your Way (And I’ll Go Mine) – Take 1 (3/09/1966) Complete (3:38)

10. Most Likely You Go Your Way (And I’ll Go Mine) – Take 2 (3/09/1966) Rehearsal (1:05)

11. Most Likely You Go Your Way (And I’ll Go Mine) – Take 3 (3/09/1966) Rehearsal (1:42)

12. Most Likely You Go Your Way (And I’ll Go Mine) – Take 4 (3/09/1966) Rehearsal (1:35)

13. Most Likely You Go Your Way (And I’ll Go Mine) – Take 5 (3/09/1966) Breakdown (1:11)   

14. Most Likely You Go Your Way (And I’ll Go Mine) – Take 6 (3/09/1966) previously released on Blonde on Blonde, 1966 (3:30)

15. Temporary Like Achilles – Take 1 (3/09/1966) Complete (5:14)

16. Temporary Like Achilles – Take 2 (3/09/1966) False start (0:38)

17. Temporary Like Achilles – Take 3 (3/09/1966) Complete (5:42)

18. Temporary Like Achilles – Take 4 (3/09/1966) previously released on Blonde On Blonde, 1966 (5:20)

19. Rainy Day Women #12 & 35 – (3/10/1966) Rehearsal (1:36)

20. Rainy Day Women #12 & 35 – Take 1 (3/10/1966) previously released on Blonde On Blonde, 1966 (4:42)

Thanks to "Sonny Boy McFitzson" for information that there is an unlisted track at the end of DISC 5 of the 6CD set: Rainy Day Women #12 & 35 (3/10/1966) (Take 1, Rehearsal and Finished Track), missing from the official tracklisting! This means track 19 on DISC 16 of the 18CD set is also on the 6CD set.

DISC 17

1. Obviously Five Believers – Take 1 (3/10/1966) False start (0:59)

2. Obviously Five Believers – Take 2 (3/10/1966) Breakdown (1:13)

3. Obviously Five Believers – Take 3 (3/10/1966) Complete (3:47)

4. Obviously Five Believers – Take 4 (3/10/1966) previously released on Blonde On Blonde, 1966 (3:37)

5. Leopard-Skin Pill-Box Hat – Take 1 (3/10/1966) previously released on Blonde On Blonde, 1966 (3:58)

6. I Want You – (3/10/1966) Rehearsal (1:59)

7. I Want You – Take 1 (3/10/1966) Complete (3:01)

8. I Want You – Take 2 (3/10/1966) Breakdown (3:11)

9. I Want You – Take 3 (3/10/1966) Rehearsal, false start (0:43)

10. I Want You – Take 4 (3/10/1966) Complete (2:52)

11. I Want You – Take 5 (3/10/1966) previously released on Blonde On Blonde, 1966 (3:09)

12. I Want You – Take 5b (3/10/1966) Insert, guitar overdub (3:08)

DISC 18 (Hotel Room Recordings)

1. Remember Me (Scott Wiseman) – (5/04/1965) Savoy Hotel, London (R-0810, from the bonus DVD with the Docurama "1965 Tour Deluxe Edition" of Don't Look Back, 2007, see VHS & DVD 2000s Part 3) (1:12)

2. More And More (Merle Kilgore/Webb Pierce) – (5/04/1965) Savoy Hotel, London (2:12)

3. Blues Stay Away From Me (Alton Delmore/Rabon Delmore/Henry Glover/Wayne Raney) – (5/04/1965) Savoy Hotel, London (2:03)

4. Weary Blues From Waitin’ (Hank Williams) – (5/04/1965) Savoy Hotel, London (1:31)

5. Lost Highway (Leon Payne) – (5/04/65) Savoy Hotel, London (2:15)

6. I’m So Lonesome I Could Cry (Hank Williams) – (5/04/1965) Savoy Hotel, London (0:51)

7. Young But Daily Growing (Traditional, arr. Bob Dylan) – (5/04/1965) Savoy Hotel, London (2:51)

8. Wild Mountain Thyme (Traditional, arr. Bob Dylan) – (5/04/1965) Savoy Hotel, London (R-0803, from the bonus DVD with the Docurama "1965 Tour Deluxe Edition" of Don't Look Back, 2007, see VHS & DVD 2000s Part 3) (4:23)

9. I Can’t Leave Her Behind [1] – (5/13/1966) North British Station Hotel, Glasgow, Scotland (R-0472, from Eat The Document, see VHS & DVD 1960s) (2:42)

10. I Can’t Leave Her Behind [2] – (5/13/1966) North British Station Hotel, Glasgow, Scotland (also R-0472, from Eat The Document, see VHS & DVD 1960s) (4:57)

11. On A Rainy Afternoon – (5/13/1966) North British Station Hotel, Glasgow, Scotland (R-0654, from Eat The Document, see VHS & DVD 1960s) (1:38)

12. If I Was A King [1] – (5/13/1966) North British Station Hotel, Glasgow, Scotland (3:00)

13. If I Was A King [2] – (5/13/1966) North British Station Hotel, Glasgow, Scotland (2:38)

14. What Kind Of Friend Is This? (Bob Dylan/Koko Taylor) – (5/13/1966) North British Station Hotel, Glasgow, Scotland (2:45)

15. Positively Van Gogh [1] – (3/12/1966) Denver, Colorado, Hotel Room (0:53)

16. Positively Van Gogh [2] – (3/12/1966) Denver, Colorado, Hotel Room (6:15)

17. Positively Van Gogh [3] – (3/12/1966) Denver, Colorado, Hotel Room (2:38)

18. Don’t Tell Him, Tell Me – (3/12/1966) Denver, Colorado, Hotel Room (1:21)

19. If You Want My Love – (3/12/1966) Denver, Colorado, Hotel Room (3:53)

20. Just Like A Woman – (3/12/1966) Denver, Colorado, Hotel Room (4:29)

21. Sad-Eyed Lady Of The Lowlands – (3/12/1966) Denver, Colorado, Hotel Room (13:18)

Songs in 1967's Don't Look Back and DVD release extras:

Remember Me (When Candle Lights Are Gleaming) – Savoy Hotel, London, 4 May 1965, from the bonus DVD with the Docurama "1965 Tour Deluxe Edition" of Don't Look Back, 2007 (R-0810, see VHS & DVD 2000s Part 3)

It's All Over Now, Baby Blue - sung to Donovan in a hotel room, Savoy Hotel, London, England, 8 May 1965 (R-0403, see VHS & DVD 1960s) is missing, presumably because it's already released.

I Can't Leave Her Behind [On A Rainy Afternoon] - song worked on by Robbie Robertson and Bob Dylan in a Glasgow hotel room in May 1966 (R-0472, see VHS & DVD 1960s) (CD18, tracks 9 & 10)

On A Rainy Afternoon [I Can't Leave Her Behind] - work in progress in hotel room, Glasgow Scotland, 19 May 1966 (R-0654, see VHS & DVD 1960s) (CD18, track 11)

Purple Heather [Wild Mountain Thyme] (traditional) - hotel room, Savoy Hotel, London, England, 29 Apr 1965, from the 2007 DVD release of Don't Look Back (R-0803, see VHS & DVD 2000s Part 4) (CD18, track 8)

Second Unidentified Song - hotel room, Savoy Hotel, London, England, 29 Apr 1965 (has lyrics about "pyjamas"!), from the 2007 DVD release of Don't Look Back (R-0800, see VHS & DVD 2000s Part 4)

Remember Me (When The Candle Lights Are Gleaming) (Scott Wiseman) - hotel room, Savoy Hotel, London, England, 4 May 1965, from the 2007 DVD release of Don't Look Back (R-0810, see VHS & DVD 2000s Part 4) (CD18, track 1)

I Still Miss Someone (Johnny Cash/Roy Cash Jr) - backstage, Capitol Theatre, Cardiff, Wales, 11 May 1966, Bob at piano in striped blazer, he and Johnny Cash singing, from Eat The Document and in the film No Direction Home but not in the released soundtrack album (2005) - thanks to Stephan Pickering for the information.

There have been complaints on Facebook about a glaring omission from the 18CD set - the session recorded at Levy's Studio, London, 12 May 1965, with John Mayall's Bluesbreakers. The only excerpt which has ever surfaced is the Miami Sales Convention Message snippet of If You Gotta Go, Go Now (R-0042, see 1965). John Mayall now lives in California, but he is originally from Macclesfield and attended the prestigious King’s School here. I've now been told the tapes from this session are not part of the Dylan Archive. They are not listed by Michael Krogsgaard's "The Bob Dylan Recording Sessions", but the excerpt is listed in his "Master of the Tracks" book. Clinton Heylin reports that the results were unusable because too much wine was consumed! Also, where is Church With No Upstairs, rumoured to have been recorded with The Hawks in 1965? I assume it's here, but under a different name. According to Tim Dunn's The Bob Dylan Copyright Files, Bob copyrighted Church With No Upstairs in 1988 as part of the Dwarf Music catalogue, along with the instrumental Number One.

The tapes for the session listed by Michael Krogsgaard that took place on 14 Jan 1965 from 7-10 p.m. including John Hammond on guitar and John Sebastian on bass guitar have also not been found. The songs listed as having been recorded then are: Love Minus Zero/No Limit (CO85270); I'll Keep It With Mine (CO85271); It's All Over Now, Baby Blue (CO85272), Bob Dylan's 115th Dream (CO85273); She Belongs To Me (CO85274); Subterranean Homesick Blues (CO85275).

Vinyl 3LP Releases

"The Bootleg Series Vol. 12 - Bob Dylan 1965-1966 The Best Of The Cutting Edge" - 3LP stereo vinyl set, Columbia/Legacy 88875124431 (USA)/Columbia/Legacy/Sony Music 88875124431 (Europe), 6 Nov 2015:

Columbia/Legacy 88875124431 (USA):

Columbia/Legacy 88875124431 (USA) - front of slipcase with sticker, scan by Sergio Mariano Romay	Columbia/Legacy 88875124431D1 (USA) - detail of Side 1, scan by Sergio Mariano Romay		Columbia/Legacy 88875124431D1 (USA) - detail of Side 2, scan by Sergio Mariano Romay		Columbia/Legacy 88875124431 (USA) - front sticker scan by Sergio Mariano Romay ("88875124431S1")
Columbia/Legacy 88875124431 (USA) - rear of slipcase scan by Sergio Mariano Romay	Columbia/Legacy 88875124431D1 (USA) - detail of CD1, scan by Sergio Mariano Romay		Columbia/Legacy 88875124431D1 (USA) - detail of CD1, scan by Sergio Mariano Romay		Columbia/Legacy 88875124431 (USA) - inside page of booklet, scan by Sergio Mariano Romay (for front and rear see European release below)
Columbia/Legacy 88875124431D2 (USA) - Side 1 scan by Sergio Mariano Romay (Record 1, Side 1)	Columbia/Legacy 88875124431D2 (USA) - Side 2 scan by Sergio Mariano Romay (Record 1, Side 2)	Columbia/Legacy 88875124431D2 (USA) - Side 3 scan by Sergio Mariano Romay (Record 2, Side 1)	Columbia/Legacy 88875124431D2 (USA) - Side 4 scan by Sergio Mariano Romay (Record 2, Side 2)	Columbia/Legacy 88875124431D2 (USA) - Side 5 scan by Sergio Mariano Romay (Record 3, Side 1)	Columbia/Legacy 88875124431D2 (USA) - Side 6 scan by Sergio Mariano Romay (Record 3, Side 2)
Columbia/Legacy 88875124431D1 (USA) - front of sleeve for CD1, scan by Sergio Mariano Romay	Columbia/Legacy 88875124431D1 (USA) - rear of sleeve for CD1, scan by Sergio Mariano Romay	Columbia/Legacy 88875124431D1 (USA) - CD1 scan by Sergio Mariano Romay	Columbia/Legacy 88875124431D2 (USA) - front of sleeve for CD2, scan by Sergio Mariano Romay	Columbia/Legacy 88875124431D2 (USA) - rear of sleeve for CD2, scan by Sergio Mariano Romay	Columbia/Legacy 88875124431D2 (USA) - CD2 scan by Sergio Mariano Romay

Columbia/Legacy 88875124431 (USA) - detail of rear of slipcase, scan by Sergio Mariano Romay

Columbia/Legacy 88875124431 (USA) - detail of rear of sleeve for Record 1, scan by Sergio Mariano Romay (for front and rear see European release below)

Columbia/Legacy 88875124431 (USA) - detail of rear of sleeve for Record 2, scan by Sergio Mariano Romay (for front and rear see European release below)

Columbia/Legacy 88875124431 (USA) - detail of rear of sleeve for Record 3, scan by Sergio Mariano Romay (for front and rear see European release below)

Columbia/Legacy 88875124431 (USA) - detail of rear of sleeve for CD1, scan by Sergio Mariano Romay

Columbia/Legacy 88875124431 (USA) - detail of rear of sleeve for CD2, scan by Sergio Mariano Romay

The tracklist is the same as the 2CD release below. This 3LP set was released in North America and Europe only. Each set comes in a 12" x 12" card slipcase that holds all three discs plus a 12" booklet. Each record comes in a picture outer sleeve with a cut-out centre and a plain coloured inner sleeve that also has a cut-out centre. The only text on each inner sleeve is the catalogue number plus "SV1/2/3" printed vertically at front bottom right.

The sleeve and record label designs are based on Dylan Columbia and CBS 7" single releases from 1965-66. (Sergio Mariano Romay is particularly pleased that the labels of Record 2 are based on the Argentinean promo releases of the time.) This release also contains 2CDs with different catalogue numbers from those of the 2CD release below. The CDs come in card sleeves which are based on Dylan CBS 7" EP releases from 1965-66. The US release was added to this page after the European release, so the booklet and sleeve scans are not repeated and are shown below.

The records of the US release have handwritten matrix numbers: Side 1 - 88875124431-A  24359.1(3), Side 2 - 88875124431-B  423  24359.2(3), Side 3 - 88875124431-C  24359.3(3), Side 4 - 88875124431-D  24359.4(3), Side 5 - 88875124431-E  24359.5(3), Side 6 - 88875124431-F  24359.6(3). Each side has also stamped “STERLING” and handwritten “RKS” in the vinyl (this means it was mastered at Sterling Sound, Edgewater, NJ, by senior engineer Ryan K. Smith).

Columbia/Legacy/Sony Music 88875124431 (Europe):

Columbia/Legacy/Sony Music 88875124431 (Europe) - front of slipcase with sticker, scan by Gerd Rundel	The European 3LP set was made in the EU. Otherwise the packaging is identical to that of the US release, apart from the new Sony Music logo on the rear of the slipcase, missing from the US release.	Columbia/Legacy/Sony Music 88875124431 (Europe) - front sticker scan by Gerd Rundel ("88875124431" only)	Columbia/Legacy/Sony Music 88875124431 (Europe) - detail of front of sleeve for Record 2, scan by Gerd Rundel		Columbia/Legacy/Sony Music 88875124431 (Europe) - rear of slipcase scan by Gerd Rundel
Columbia/Legacy/Sony Music 88875124431 (Europe) - front of booklet scan by Gerd Rundel	Columbia/Legacy/Sony Music 88875124431 (Europe) - detail of Side 1, scan by Gerd Rundel ("Made in the EU")		Columbia/Legacy/Sony Music 88875124431 (Europe) - detail of Side 1, scan by Gerd Rundel (same as the US release)		Columbia/Legacy/Sony Music 88875124431 (Europe) - rear of booklet scan by Gerd Rundel
Columbia/Legacy/Sony Music 88875124431 (Europe) - front of sleeve for Record 1, scan by Gerd Rundel	Columbia/Legacy/Sony Music 88875124431 (Europe) - rear of sleeve for Record 1, scan by Gerd Rundel	Columbia/Legacy/Sony Music 88875124431 (Europe) - front of inner sleeve for Record 1, scan by Gerd Rundel	Columbia/Legacy/Sony Music 88875124431 (Europe) - detail of front of inner sleeve for Record 1, scan by Gerd Rundel	Columbia/Legacy/Sony Music 88875124431 (Europe) - Side 1 scan by Gerd Rundel (Record 1, Side 1)	Columbia/Legacy/Sony Music 88875124431 (Europe) - Side 2 scan by Gerd Rundel (Record 1, Side 2)
Columbia/Legacy/Sony Music 88875124431 (Europe) - front of sleeve for Record 2, scan by Gerd Rundel	Columbia/Legacy/Sony Music 88875124431 (Europe) - rear of sleeve for Record 2, scan by Gerd Rundel	Columbia/Legacy/Sony Music 88875124431 (Europe) - front of inner sleeve for Record 2, scan by Gerd Rundel	Columbia/Legacy/Sony Music 88875124431 (Europe) - detail of front of inner sleeve for Record 2, scan by Gerd Rundel	Columbia/Legacy/Sony Music 88875124431 (Europe) - Side 3 scan by Gerd Rundel (Record 2, Side 1)	Columbia/Legacy/Sony Music 88875124431 (Europe) - Side 4 scan by Gerd Rundel (Record 2, Side 2)
Columbia/Legacy/Sony Music 88875124431 (Europe) - front of sleeve for Record 3, scan by Gerd Rundel	Columbia/Legacy/Sony Music 88875124431 (Europe) - rear of sleeve for Record 3, scan by Gerd Rundel	Columbia/Legacy/Sony Music 88875124431 (Europe) - front of inner sleeve for Record 3, scan by Gerd Rundel	Columbia/Legacy/Sony Music 88875124431 (Europe) - detail of front of inner sleeve for Record 3, scan by Gerd Rundel	Columbia/Legacy/Sony Music 88875124431 (Europe) - Side 5 scan by Gerd Rundel (Record 3, Side 1)	Columbia/Legacy/Sony Music 88875124431 (Europe) - Side 6 scan by Gerd Rundel (Record 3, Side 2)
Columbia/Legacy/Sony Music 88875124431 (Europe) - detail of front of sleeve for Record 3, scan by Gerd Rundel	Columbia/Legacy/Sony Music 88875124431 (Europe) - detail of rear of sleeve for Record 3, scan by Gerd Rundel	Columbia/Legacy/Sony Music 88875124431-1 (Europe) - front of sleeve for CD1, scan by Gerd Rundel	Columbia/Legacy/Sony Music 88875124431-1 (Europe) - rear of sleeve for CD1, scan by Gerd Rundel	Columbia/Legacy/Sony Music 88875124431-2 (Europe) - front of sleeve for CD2, scan by Gerd Rundel	Columbia/Legacy/Sony Music 88875124431-2 (Europe) - rear of sleeve for CD2, scan by Gerd Rundel
Columbia/Legacy/Sony Music 88875124431-1 (Europe) - CD1 scan by Gerd Rundel	Columbia/Legacy/Sony Music 88875124431-1 (Europe) - detail of CD1, scan by Gerd Rundel		Columbia/Legacy/Sony Music 88875124431-1 (Europe) - detail of CD1, scan by Gerd Rundel ("Made in the EU")		Columbia/Legacy/Sony Music 88875124431-2 (Europe) - CD2 scan by Gerd Rundel

Columbia/Legacy/Sony Music 88875124431 (Europe) - detail of rear of slipcase, scan by Gerd Rundel ("Made in the EU")

Columbia/Legacy/Sony Music 88875124431 (Europe) - spine of slipcase scan by Gerd Rundel

Columbia/Legacy/Sony Music 88875124431 (Europe) - open end of slipcase scan by Gerd Rundel

Columbia/Legacy/Sony Music 88875124431 (Europe) - detail of rear of sleeve for Record 1, scan by Gerd Rundel ("Made in the EU")

Columbia/Legacy/Sony Music 88875124431 (Europe) - detail of rear of sleeve for Record 2, scan by Gerd Rundel ("Made in the EU")

Columbia/Legacy/Sony Music 88875124431 (Europe) - detail of rear of sleeve for Record 3, scan by Gerd Rundel ("Made in the EU")

Columbia/Legacy/Sony Music 88875124431-1 (Europe) - detail of rear of sleeve for CD1, scan by Gerd Rundel ("Made in the EU")

Columbia/Legacy/Sony Music 88875124431-2 (Europe) - detail of rear of sleeve for CD2, scan by Gerd Rundel ("Made in the EU")

The records of the copy shown have handwritten matrix numbers: Side 1 - 88875124431-A plus BF 98981-01 A1, Side 2 - 88875124431-B plus BF 98981-01 B1, Side 3 - 88875124431-C plus BF 98981-02 C1, Side 4 - 88875124431-D plus BF 98981-02 D1, Side 5 - 88875124431-E plus BF 98981-03 E1, Side 6 - 88875124431-F plus BF 98981-03 F1. These are not the same as the US matrix numbers, but each side again has also stamped “STERLING” and handwritten “RKS” in the vinyl as the US records.

Thanks to Sergio Mariano Romay and Gerd Rundel for information and scans.

Sampler Single CD Releases (Promo-only)

"The Bootleg Series Vol. 12: Bob Dylan 1965-1966 The Cutting Edge Sampler" - promo compilation CD release, Columbia/Legacy 88875170652 (USA), Oct 2015: Columbia/Legacy 88875170652 (USA) - front scan by Stephan Pickering This single CD sampler comes in a regular jewel case and contains fifteen tracks from the 2CD set The Best Of The Cutting Edge 1965-1966: The Bootleg Series Vol. 12. Columbia/Legacy 88875170652 (USA) - rear scan by Stephan Pickering Columbia/Legacy 88875170652 (USA) - CD scan by Michel Pomarede Columbia/Legacy 88875170652 (USA) - detail of CD, scan by Michel Pomarede Columbia/Legacy 88875170652 (USA) - detail of rear, scan by Stephan Pickering She Belongs to Me - Take 1 (1/13/1965) solo acoustic (2:56) - Best Of CD1 track 4 Subterranean Homesick Blues - Take 1 (1/14/1965) alternate take (2:37) - Best Of CD1 track 5 Like a Rolling Stone - Take 5 (6/15/1965) rehearsal (1:43) - Best Of CD1 track 14 It Takes a Lot to Laugh, It Takes a Train to Cry - Take 8 (6/15/1965) alternate take (3:28) - Best Of CD1 track 13 Desolation Row - Take 2 (8/4/1965) piano demo (1:59) - Best Of CD1 track 18 Just Like Tom Thumb’s Blues - Take 3 (8/2/1965) rehearsal (5:37) - Best Of CD2 track 4 Highway 61 Revisited - Take 3 (8/2/1965) alternate take (3:28) - Best Of CD2 track 5 Queen Jane Approximately - Take 5 (8/2/1965) alternate take (6:01) - Best Of CD2 track 6 Visions of Johanna - Take 5 (11/30/1965) rehearsal (7:39) - Best Of CD2 track 7 She’s Your Lover Now - Take 6 (1/21/1966) rehearsal (4:56) - Best Of CD2 track 8 The rear insert of this sampler says that this track was previously released on The Bootleg Series Vols. 1-3, 1991. However, the track listings released for the 6CD and 18CD sets say that the version released on The Bootleg Series Vols. 1-3, 1991, was take 15 from the same session! Leopard-Skin Pill-Box Hat - Take 8 (2/14/1966) alternate take (3:26) - Best Of CD2 track 10 Stuck Inside of Mobile with the Memphis Blues Again - Take 13 (2/17/1966) alternate take (4:01) - Best Of CD2 track 12 Absolutely Sweet Marie - Take 1 (3/7/1966) alternate take (5:04) - Best Of CD2 track 13 Pledging My Time - Take 1 (3/8/1966) alternate take (3:21) - Best Of CD2 track 15 I Want You - Take 4 (3/10/1966) alternate take (2:51) - Best Of CD2 track 16 Thanks to Stephan Pickering and Michel Pomarede for information and scans.

"The Best Of The Cutting Edge 1965-1966: The Bootleg Series Vol. 12" - promo compilation CD-R release, Columbia/Legacy (no catalogue number) (USA), 9 Oct 2015:

Insert picture from www.discogs.com

This 13-track CD-R sampler was distributed to branches of Barnes & Noble for in store play. It comes in a clear plastic wallet with a printed paper insert. It has the same track selection as the 15-track release above, but two tracks are missing - Like A Rolling Stone and Highway 61 Revisited.

CD-R picture from www.discogs.com

1. She Belongs to Me - Take 1 (1/13/1965) solo acoustic (2:56) - Best Of CD1 track 4
2. Subterranean Homesick Blues - Take 1 (1/14/1965) alternate take (2:37) - Best Of CD1 track 5
3. It Takes a Lot to Laugh, It Takes a Train to Cry - Take 8 (6/15/1965) alternate take (3:28) - Best Of CD1 track 13
4. Desolation Row - Take 2 (8/4/1965) piano demo (1:59) - Best Of CD1 track 18
5. Just Like Tom Thumb’s Blues - Take 3 (8/2/1965) rehearsal (5:37) - Best Of CD2 track 4
6. Queen Jane Approximately - Take 5 (8/2/1965) alternate take (6:01) - Best Of CD2 track 6
7. Visions of Johanna - Take 5 (11/30/1965) rehearsal (7:39) - Best Of CD2 track 7
8. She’s Your Lover Now - Take 6 (1/21/1966) rehearsal (4:56) - Best Of CD2 track 8
9. Leopard-Skin Pill-Box Hat - Take 8 (2/14/1966) alternate take (3:26) - Best Of CD2 track 10
10. Stuck Inside of Mobile with the Memphis Blues Again - Take 13 (2/17/1966) alternate take (4:01) - Best Of CD2 track 12
11. Absolutely Sweet Marie - Take 1 (3/7/1966) alternate take (5:04) - Best Of CD2 track 13
12. Pledging My Time - Take 1 (3/8/1966) alternate take (3:21) - Best Of CD2 track 15
13. I Want You - Take 4 (3/10/1966) alternate take (2:51) - Best Of CD2 track 16

Thanks to Paul S. Levine for information.

Collector's Edition 18CD Release

"The Bootleg Series Vol. 12 - Bob Dylan 1965-1966 The Cutting Edge Collector's Edition" - 18CD set, Columbia/Legacy 8887512440211 (USA), 6 Nov 2015:

Columbia/Legacy 8887512440211 (USA) - photo from bobdylan.com	The 18CD Collector's Edition cost $599.95, and was only available from bobdylan.com in the USA, who accepted worldwide orders! The release was limited to 5,000 copies and was sold out in Jan 2016. Buyers from outside the USA had to pay shipping, import duty and VAT! Each copy had a numbered Certificate of Authenticity - mine is 2262/5000. Todd N has a copy where the certificate does not have a number but instead has the text "MANUFACTURER PROOF - NOT FOR RESALE". This is the only copy I know without a number, but it appears genuine in all respects as everything in the package is present.			Columbia/Legacy 8887512440211 (USA) - front of box (my copy)	Columbia/Legacy 8887512440211 (USA) - Certificate of Authenticity "2262/5000"
Columbia/Legacy 8887512440211 (USA) - detail of Certificate of Authenticity "2262/5000"	Columbia/Legacy 8887512440211 (USA) - Certificate of Authenticity "MANUFACTURER PROOF...", photo by Todd N	Columbia/Legacy 8887512440211 (USA) - detail of Certificate of Authenticity "MANUFACTURER PROOF...", photo by Todd N	Columbia/Legacy 8887512440211 (USA) - front of Book 1 with CDs	Columbia/Legacy 8887512440211 (USA) - rear of Book 1 with CDs	Columbia/Legacy 8887512440211 (USA) - front of Book 2
Columbia/Legacy 8887512440211 (USA) - rear of Book 2	Columbia/Legacy 8887512440211 (USA) - inside front pages of Book 1 with CDs 1 and 2 (there are eight similar pages for CDs 3 to 18 with tracklists on the left and discs in card pockets on the right)		Columbia/Legacy 8887512440211 (USA) - inside rear pages of Book 1		Columbia/Legacy 8887512440211 (USA) - front of Book 3
Columbia/Legacy 8887512440211 (USA) - rear of Book 3	Columbia/Legacy 8887512440211 (USA) - "leopard-skin" spindle	Columbia/Legacy 8887512440211 (USA) - front of Don't Look Back strip	Columbia/Legacy 8887512440211 (USA) - detail of front of Don't Look Back strip		Columbia Special Products CSP-128/XTV 88744 (USA) - Side 1 scan by Kenneth Robson (1964)
Columbia/Legacy 88875124402D1 (USA) - CD1	Columbia/Legacy 88875124402D2 (USA) - CD2	Columbia/Legacy 88875124402D3 (USA) - CD3	Columbia/Legacy 88875124402D4 (USA) - CD4	Columbia/Legacy 88875124402D5 (USA) - CD5	Columbia/Legacy 88875124402D6 (USA) - CD6
Columbia/Legacy 88875124402D7 (USA) - CD7	Columbia/Legacy 88875124402D8 (USA) - CD8	Columbia/Legacy 88875124402D9 (USA) - CD9	Columbia/Legacy 88875124402D10 (USA) - CD10	Columbia/Legacy 88875124402D11 (USA) - CD11	Columbia/Legacy 88875124402D12 (USA) - CD12
Columbia/Legacy 88875124402D13 (USA) - CD13	Columbia/Legacy 88875124402D14 (USA) - CD14	Columbia/Legacy 88875124402D15 (USA) - CD15	Columbia/Legacy 88875124402D16 (USA) - CD16	Columbia/Legacy 88875124402D17 (USA) - CD17	Columbia/Legacy 88875124402D18 (USA) - CD18

The package includes three books, one with the 18CDs in card pockets, ten unique frames from the original 16mm 1967 film release of Don't Look Back, nine of the mono 7" singles released in 1965 and 1966 with new picture sleeves, and finally a "leopard-skin" spindle with which to play the singles. Purchase of the 18CD set also includes a link for a digital download in various formats. The discs are numbered "88875124402D1" to "88875124402D18", and use the design of 1960s Columbia Special Products Limited Edition record labels. CDs 1 to 17 are olive, black and white with alternating designs, but CD18 is red, black and white.

All tracks listed above that are exclusive to this set are rarities and are listed in 2015.

Thanks to Sonny Boy McFitzson for information that 100 copies of the 18CD set (all sold out) were imported into Japan for a cost of ¥95,000 including 8% sales tax, shipped on 18 Nov 2015.

The Collector's Edition Singles

Singles 1-4 have the original Columbia US catalogue number on the labels.

"Subterranean Homesick Blues"/"She Belongs To Me" - Columbia/Legacy 88875124402-(SV)1 (USA):

Columbia/Legacy 88875124402-SV1 (USA) - front (my copy)	Columbia 4-43242 from Mar 1965 is included as Columbia/Legacy 88875124402-(SV)1 with the US promo single white labels with red text. The front is from the Norwegian single release CBS 1863 and the rear is from the US single release, although the same rear sleeve was used for several other worldwide releases.	Columbia/Legacy 88875124402-SV1 (USA) - rear	Columbia/Legacy 88875124402-SV1 (USA) - detail of rear	Columbia/Legacy 88875124402-1 (USA) - A-side	Columbia/Legacy 88875124402-1 (USA) - detail of A-side
CBS 1883 (Norway) - front scan by Olav Langum (1965)	Columbia 4-43242 (USA) - promo single rear, scan by Stefan Haras (1965)	Columbia 4-43242 (USA) - promo single A-side, scan by Stefan Haras (1965)	Columbia 4-43242 (USA) - detail of A-side, scan by Hans Seegers (1965)	Columbia 4-43242 (USA) - promo single B-side, scan by Stefan Haras (1965)	Columbia/Legacy 88875124402-1 (USA) - B-side

For the original 1965 singles, see Mono 7" Singles & EPs 1965.

"Maggie's Farm"/"On The Road Again" - CBS 1781 (Sweden/NL)/CBS 1.781 (Norway)/CBS 201781 (UK):

CBS 1781 (Sweden) - front scan by Hans Seegers

CBS 1.781 (Norway) - front scan by Hans Seegers

CBS 1781/1.781 (Sweden/Norway) - A-side scan by Hans Seegers

CBS 201781 promo single (UK) - A-side scan by Hans Seegers

CBS 201781 commercial single (UK) - A-side scan by Hans Seegers (second release)

CBS 1781 (NL) - front scan by Hans Seegers

This May/Jun 1965 single is missing from the set, maybe because it was not released in the USA. The UK single did not have a picture sleeve.

For the original 1965 singles, see Mono 7" Singles & EPs 1965.

"Like A Rolling Stone"/"Gates Of Eden" - Columbia/Legacy 88875124402-(SV)2 (USA):

Columbia/Legacy 88875124402-SV2 (USA) - front (my copy)	Columbia 4-43346 from Jul 1965 is included as Columbia/Legacy 88875124402-(SV)2 with the US commercial single labels. The front is from the 1965 Danish single release CBS 201.811 and the rear is based on that of the Mexican EP release CBS EPC 496.	Columbia/Legacy 88875124402-SV2 (USA) - rear	Columbia/Legacy 88875124402-SV2 (USA) - detail of rear	Columbia/Legacy 88875124402-2 (USA) - A-side	Columbia/Legacy 88875124402-2 (USA) - detail of A-side
CBS 201.811 (Denmark) - front scan by Manuel García Jara (1965)	CBS EPC 496 (Mexico) - rear scan by Jim Siddy (1965)	Columbia 4-43346 (USA) - A-side scan by Hans Seegers (1965)	Columbia 4-43346 (USA) - detail of A-side, scan by Hans Seegers (1965)	Columbia 4-43346 (USA) - B-side scan by Hans Seegers (commercial release)	Columbia/Legacy 88875124402-2 (USA) - B-side

For the original 1965 singles, see Mono 7" Singles & EPs 1965.

Front of German sleeve (my copy)

Two singles were also released in Germany and the UK in Nov 2015 with an alternate take of Like A Rolling Stone and front sleeves based on the 1965 Danish single release CBS 201.811. The front photos are different from the photo on the front of the single in the box! The German single, exclusive to the Nov 2015 edition of the German "Rolling Stone" magazine, contains an alternate take of Like A Rolling Stone and a piano demo of Desolation Row. They are tracks 15 and 18 of CD1 of the 2CD set The Bootleg Series Vol. 12 - Bob Dylan 1965-1966 The Best Of The Cutting Edge.

Front of UK sleeve with £4.99 HMV store sticker (my copy)

The UK single, exclusive to HMV and costing £4.99, contains the same alternate take of Like A Rolling Stone and a solo acoustic version of She Belongs To Me. The B-side is track 4 of CD1 of the 2CD set The Bootleg Series Vol. 12 - Bob Dylan 1965-1966 The Best Of The Cutting Edge.

For both of these Nov 2015 singles, see International Singles: All Formats 2010s.

"Positively 4th Street"/"From A Buick 6" - Columbia/Legacy 88875124402-(SV)3 (USA):

Columbia/Legacy 88875124402-SV3 (USA) - front (my copy)	Columbia 4-43389 from Sep 1965 is included as Columbia/Legacy 88875124402-(SV)3 with the US commercial single labels. The front is from the Danish single release CBS 201.824 and the rear is similar to that of the 1966 French EP release CBS EP 6270, although the pictures are in colour, not monochrome.	Columbia/Legacy 88875124402-SV3 (USA) - rear	Columbia/Legacy 88875124402-SV3 (USA) - detail of rear	Columbia/Legacy 88875124402-3 (USA) - A-side	Columbia/Legacy 88875124402-3 (USA) - detail of A-side
CBS 201.824 (Denmark) - front scan by Hans Seegers (1965)	CBS EP 6270 (France) - rear scan by Manuel García Jara (1966)	Columbia 4-43389 (USA) - commercial single, A-side with open centre, scan by Hans Seegers (1965)	Columbia 4-43389 (USA) - commercial single, detail of A-side, scan by Hans Seegers (1965)	Columbia 4-43389 (USA) - commercial single, B-side with open centre, scan by Hans Seegers (1965)	Columbia/Legacy 88875124402-3 (USA) - B-side

For the original 1965 singles, see Mono 7" Singles & EPs 1965.

Can You Please Crawl Out Your Window?"/"Highway 61 Revisited" - Columbia/Legacy 88875124402-(SV)4 (USA):

Columbia/Legacy 88875124402-SV4 (USA) - front (my copy)	Columbia 4-43477 from Jan 1966 is included as Columbia/Legacy 88875124402-(SV)4 with the US commercial single labels. The front is from the Italian single release CBS 1900 but the rear is modelled on the rear of the US album Bob Dylan's Greatest Hits.	Columbia/Legacy 88875124402-SV4 (USA) - rear	Columbia/Legacy 88875124402-SV4 (USA) - detail of rear	Columbia/Legacy 88875124402-4 (USA) - A-side	Columbia/Legacy 88875124402-4 (USA) - detail of A-side
CBS 1900 (Italy) - front scan by Hans Seegers (1966)	Columbia KCL 2663 (USA) - rear scan by Hans Seegers (1967)	Columbia 4-43477 (USA) - A-side of commercial single, scan by Hans Seegers	Columbia 4-43477 (USA) - detail of A-side of commercial single, scan by Hans Seegers	Columbia 4-43477 (USA) -B-side of commercial single, scan by Manuel García Jara (R-0488)	Columbia/Legacy 88875124402-4 (USA) - B-side with title mistake

Thanks to Fred Muller for spotting that the B-side record label of the Can You Please Crawl Out Your Window?/Highway 61 Revisited single lists the song title wrongly as "Highway 61". The sleeve of this single implies that Highway 61 Revisited is the A-side but Can You Please Crawl Out Your Window? is this single's A-side, although Highway 61 Revisited was the A-side of the original Italian single.

For the original 1966 singles, see 1966. The stereo version of Can You Please Crawl Out Your Window?, officially unreleased until this set, remains a rarity!

For some reason, singles 5-9 no longer have the original Columbia US catalogue number on the labels.

"One Of Us Must Know (Sooner Or Later)"/"Queen Jane Approximately" - Columbia/Legacy 88875124402-(SV)5 (USA):

Columbia/Legacy 88875124402-SV5 (USA) - front (my copy)	Columbia/Legacy 88875124402-SV5 (USA) - rear	Collage of the nine German CBS singles illustrated on the rear sleeve, scans by Manuel García Jara	Columbia/Legacy 88875124402-SV5 (USA) - detail of rear	Columbia/Legacy 88875124402-5 (USA) - A-side	Columbia/Legacy 88875124402-5 (USA) - detail of A-side
CBS LL-919-C (Japan) - front scan by Hans Seegers (1966)	CBS 2360 (NL) - rear scan by Hans Seegers (1966)	Columbia 4-43541 (USA) - promo single A-side, scan by Hans Seegers (1966)	Columbia 4-43541 (USA) - detail of promo single A-side, scan by Hans Seegers (1966)	Columbia 4-43541 (USA) - promo single B-side, scan by Manuel García Jara (1966)	Columbia/Legacy 88875124402-5 (USA) - B-side

Columbia 4-43541 from Feb 1966 is included as Columbia/Legacy 88875124402-(SV)5 with the US promo single white labels (although the equivalent 1966 white label promo single had red text, not black). The front is from the Japanese single release CBS LL-919-C, but the rear is a curious hybrid of Japanese and German singles ("CBS Liner No. 16"). Illustrated are a Dutch 1966 single rear ("CBS Benelux Liner No. 16") with six of the same nine CBS single sleeves shown and a collage of those actual nine West German CBS singles.

For the original 1966 singles, see 1966. The unfaded mono version of One Of Us Must Know (Sooner Or Later) was a rarity until the mono Blonde On Blonde album was released on 2CDs as part of the Oct 2010 9CD release The Original Mono Recordings.

"Rainy Day Women #12 & 35"/"Pledging My Time" - Columbia/Legacy 88875124402-(SV)6 (USA):

Columbia/Legacy 88875124402-SV6 (USA) - front (my copy)	Columbia 4-43592 from Apr 1966 is included as Columbia/Legacy 88875124402-(SV)6 with the US commercial single labels. The front and rear are from the 1966 Italian single release CBS 2307.	Columbia/Legacy 88875124402-SV6 (USA) - rear	Columbia/Legacy 88875124402-SV6 (USA) - detail of rear	Columbia/Legacy 88875124402-6 (USA) - A-side	Columbia/Legacy 88875124402-6 (USA) - detail of A-side (2:25)
CBS 2307 (Italy) - front scan by Hans Seegers (1966)	CBS 2307 (Italy) - rear scan by Hans Seegers (1966)	Columbia 4-43592 (USA) - commercial single A-side scan by Hans Seegers (1966)	Columbia 4-43592 (USA) - detail of commercial single A-side (R-0051M) scan by Hans Seegers (variant 1 - 2:26)	Columbia 4-43592 (USA) - commercial single B-side scan by Hans Seegers (1966)	Columbia/Legacy 88875124402-6 (USA) - B-side

The A-side is a 2:26 edit of the 4:35 album track (listed on the 2015 single as 2:25), and the B-side is a 2:06 edit of the 3:48 album track. For the original 1966 singles, see 1966.

"I Want You"/"Just Like Tom Thumb's Blues (live)" - Columbia/Legacy 88875124402-(SV)7 (USA):

Columbia/Legacy 88875124402-SV7 (USA) - front (my copy)	Columbia 4-43683 from Jun 1966 is included as Columbia/Legacy 88875124402-(SV)7 with the US promo single white labels with red text. It has a particularly silly error on the labels - the producer is shown as Tom Wilson instead of Bob Johnston!	Columbia/Legacy 88875124402-SV7 (USA) - rear	Columbia/Legacy 88875124402-SV7 (USA) - detail of rear	Columbia 4-43683 (USA) - front scan by Manuel García Jara (1966)	Columbia 4-43683 (USA) - rear scan by Manuel García Jara (1966)
Columbia/Legacy 88875124402-7 (USA) - A-side	Columbia/Legacy 88875124402-7 (USA) - detail of A-side with "Tom Wilson" error	Columbia/Legacy 88875124402-7 (USA) - detail of A-side	Columbia/Legacy 88875124402-7 (USA) - B-side	Columbia 4-43683 (USA) - detail of promo A-side, scan by Gerd Rundel (1966 - correct)	Columbia 4-43683 (USA) - detail of promo A-side, scan by Gerd Rundel (1966)
Columbia 4-43683 (USA) - promo A-side scan by Gerd Rundel (1966)	Columbia/Legacy 88875124402-7 (USA) - detail of B-side with "Tom Wilson" error		Columbia 4-43683 (USA) - detail of promo B-side, scan by Gerd Rundel (1966 - correct)		Columbia 4-43683 (USA) - promo B-side scan by Gerd Rundel (1966)

The B-side is again the live version of Just Like Tom Thumb's Blues with the Hawks, Odeon Theatre, Liverpool, England, 14 May 1966 (R-0054, see 1966).

"Just Like A Woman"/"Obviously 5 Believers" - Columbia/Legacy 88875124402-(SV)8 (USA):

Columbia/Legacy 88875124402-SV8 (USA) - front (my copy)	Columbia 4-43792 from Sep 1966 is included as Columbia/Legacy 88875124402-(SV)8 with the US commercial single labels. The front and rear are from the 1966 West German single release CBS 2360.	Columbia/Legacy 88875124402-SV8 (USA) - rear	Columbia/Legacy 88875124402-SV8 (USA) - detail of rear	Columbia/Legacy 88875124402-8 (USA) - A-side	Columbia/Legacy 88875124402-SV8 (USA) - detail of A-side
CBS 2360 (West Germany) - front scan by Hans Seegers (1966)	CBS 2360 (West Germany) - rear scan by Hans Seegers (1966)	Columbia 4-43792 (USA) commercial release - A-side scan by Manuel García Jara (1966)	Columbia 4-43792 (USA) commercial release - detail of A-side, scan by Manuel García Jara (1966)	Columbia 4-43792 (USA) commercial release - B-side scan by Manuel García Jara (1966)	Columbia/Legacy 88875124402-8 (USA) - B-side

Hans Seegers' 1966 West German single sleeve is in a much better condition than the copy used by Columbia for the 2015 version!

The A-side is a 2:56 edit of the 4:56 album track. For the original 1966 singles, see 1966.

"Leopard-Skin Pill-Box Hat"/Most Likely You Go Your Way (And I'll Go Mine)" - Columbia/Legacy 88875124402-(SV)9 (USA):

Columbia/Legacy 88875124402-SV9 (USA) - front (my copy)	Columbia 4-44069 from late 1966 is included as Columbia/Legacy 88875124402-(SV)9 with the US commercial single labels. The front and rear are from the 1967 West German single release CBS 2700.	Columbia/Legacy 88875124402-SV9 (USA) - rear	Columbia/Legacy 88875124402-SV9 (USA) - detail of rear	Columbia/Legacy 88875124402-9 (USA) - A-side	Columbia/Legacy 88875124402-9 (USA) - detail of A-side
CBS 2700 (West Germany) - front scan by Hans Seegers (1967)	CBS 2700 (West Germany) - rear scan by Hans Seegers (1967)	Columbia 4-44069 (USA) commercial release - A-side scan by Hans Seegers (1966)	Columbia 4-44069 (USA) commercial release - detail of A-side, scan by Hans Seegers (1966)	Columbia 4-44069 (USA) commercial release - B-side scan by Hans Seegers (1966)	Columbia/Legacy 88875124402-9 (USA) - B-side

The A-side is a 2:20 edit of the 3:50 album track. For the original 1966 singles, see 1966.

Thanks to Hans Seegers, Manuel García Jara, Olav Langum, Stefan Haras and Jim Siddy for information and scans.

Deluxe Edition 6CD Releases

"The Bootleg Series Vol. 12 - Bob Dylan 1965-1966 The Cutting Edge Deluxe Edition" - 6CD set, Columbia/Legacy 88875124412 (USA/Europe), 6 Nov 2015; Sony Music SICP 30591-96 (Japan), 18 Nov 2105:
Purchase of the 6CD set also includes a link for a digital download in various formats.

Columbia/Legacy 88875124412 (USA):

Columbia/Legacy 88875124412 (USA) - front of slipcase with sticker, scan by Bill Hester	Columbia/Legacy 88875124412 (USA) - front sticker scan by Bill Hester (catalogue number "88875124412S1")	Columbia/Legacy 88875124412 (USA) - front from www.amazon.com (earlier design?)	Columbia/Legacy 88875124412 (USA) - front of slipcase scan by Bill Hester	Columbia/Legacy 88875124412 (USA) - rear of slipcase scan by Bill Hester	Columbia/Legacy 88875124412 (USA) - front of book 1 scan by Bill Hester
Columbia/Legacy 88875124412 (USA) - rear of book 1 scan by Bill Hester	Columbia/Legacy 88875124412 (USA) - inside page of book 1 scan by Bill Hester	Columbia/Legacy 88875124412 (USA) - front of book 2 scan by Bill Hester	Columbia/Legacy 88875124412 (USA) - rear of book 2 scan by Bill Hester	Columbia/Legacy 88875124412 (USA) - detail of CD1, scan by Bill Hester (compare with European CD below)
Columbia/Legacy 88875124412 (USA) - CD1 scan by Bill Hester	Columbia/Legacy 88875124412 (USA) - CD2 scan by Bill Hester	Columbia/Legacy 88875124412 (USA) - CD3 scan by Bill Hester	Columbia/Legacy 88875124412 (USA) - CD4 scan by Bill Hester	Columbia/Legacy 88875124412 (USA) - CD5 scan by Bill Hester	Columbia/Legacy 88875124412 (USA) - CD6 scan by Bill Hester

Columbia/Legacy 88875124412 (USA) - spine of slipcase, scan by Bill Hester

Columbia/Legacy 88875124412 (USA) - open end of slipcase with books, scan by Bill Hester

Columbia/Legacy 88875124412 (USA) - detail of rear of slipcase, scan by Bill Hester

Columbia/Legacy 88875124412 (USA) - detail of rear of book 1, scan by Bill Hester

Columbia/Legacy 88875124412 (USA) - detail of rear of book 2, scan by Gerd Rundel (European book is identical)

The 6CD set comes in an 8¼" x 8¼" heavy card slipcase with two hardback books. Book 1 has a fold-out page of thick card at the inside front with pockets to hold two discs, and two fold-out pages of thick card at the inside rear with pockets to hold four discs. Book 2 is a hardback collection of contemporary photos called "Mixing Up The Medicine". Bill Hester's copy was bought in New Zealand, but is the US release.

Columbia/Legacy 88875124412 (Europe):

Columbia/Legacy/Sony Music 88875124412 (Europe) - front of slipcase with sticker (my copy)	The slipcase of the European 6CD set was made in the EU, as were book 1 holding the CDs and the CDs themselves. Book 2, "Mixing Up The Medicine", was printed in the USA and is identical to the US copy shown above. The European release has the new Sony Music logo on the rear of the slipcase and book 1, missing from the US release.			Columbia/Legacy/Sony Music 88875124412 (Europe) - front sticker (catalogue number "88875124412")	Columbia/Legacy/Sony Music 88875124412 (Europe) - rear of slipcase
Columbia/Legacy/Sony Music 88875124412 (Europe) - front of book 1 scan by Gerd Rundel	Columbia/Legacy/Sony Music 88875124412 (Europe) - rear of book 1 scan by Gerd Rundel	Columbia/Legacy 88875124412 (USA for Europe) - front of book 2 scan by Gerd Rundel	Columbia/Legacy 88875124412 (USA for Europe) - rear of book 2 scan by Gerd Rundel	Columbia/Legacy/Sony Music 88875124412 (Europe) - detail of CD1, scan by Gerd Rundel (compare with US CD above)
Columbia/Legacy/Sony Music 88875124412 (Europe) - CD1 scan by Gerd Rundel	Columbia/Legacy/Sony Music 88875124412 (Europe) - CD2 scan by Gerd Rundel	Columbia/Legacy/Sony Music 88875124412 (Europe) - CD3 scan by Gerd Rundel	Columbia/Legacy/Sony Music 88875124412 (Europe) - CD4 scan by Gerd Rundel	Columbia/Legacy/Sony Music 88875124412 (Europe) - CD5 scan by Gerd Rundel	Columbia/Legacy/Sony Music 88875124412 (Europe) - CD6 scan by Gerd Rundel

Columbia/Legacy/Sony Music 88875124412 (Europe) - spine of slipcase

Columbia/Legacy/Sony Music 88875124412 (Europe) - open end of slipcase with 6CD box and book

Columbia/Legacy/Sony Music 88875124412 (Europe) - detail of rear of slipcase, scan by Gerd Rundel (made in the EU)

Columbia/Legacy/Sony Music 88875124412 (Europe) - detail of rear of book 1, scan by Gerd Rundel (made in the EU - the European book 2 was made in the USA)

Sony Music SICP 30591-96 (Japan), 18 Nov 2105:
 

Sony Music SICP 30591-96 (Japan) - front of slipcase with obi, picture from www.hmv.co.jp

The Japanese 6CD set (in Blu-spec CD2 format) was delayed because of a problem with importing the slipcases and book from the USA. The price is ¥21,600 (¥20,000 plus 8% sales tax). The CDs themselves are made in Japan. More details will be added when available.

Sony Music SICP 30591-96 (Japan) - detail of obi, picture from www.hmv.co.jp

Sony Music SICP 30591-96 (Japan) - detail of obi, picture from www.hmv.co.jp

Thanks to Bill Hester, Gerd Rundel and Sonny Boy McFitzson for information and scans.

Standard Edition 2CD Releases

"The Bootleg Series Vol. 12 - Bob Dylan 1965-1966 The Best Of The Cutting Edge" - 2CD sets, Columbia/Legacy 88875124422 (USA); Columbia/Legacy/Sony Music 88875124422 (Europe/Australia/Brazil), 6 Nov 2015; Sony Music SICP 30597-98 (Japan), 18 Nov 2015:

This was released in North America, Europe, Australia and Brazil (standard CD format) and Japan (in Blu-spec CD2 format). It comes in a slimline 2CD jewel case in a card slipcase with a booklet. The reverse of the rear insert shows the front of a 1966 CBS mono compilation, Number One American Hit Parade, released in France and Israel. This album has an edited version of Rainy Day Women #12 & 35 (R-0051M) from Blonde On Blonde, plus Tombstone Blues, Like A Rolling Stone and Highway 61 Revisited from Highway 61 Revisited. For full details, see 1966.

Purchase of the 2CD set also includes a link for a digital download in various formats.

There are stickers over the barcodes of the US, European and Australian releases.

Columbia/Legacy 88875124422 (USA):

Columbia/Legacy 88875124422 (USA) - front of slipcase with sticker, scan by Gerd Rundel	There are some differences between the US 2CD set and the European 2CD set: there are no Sony Music logos on the rear of the slipcase or the rear insert; the reverse of the rear insert has the catalogue number at bottom right, missing from the European release as shown; both CDs have US copyright text at the bottom (compare with the European CDs). The rear of the slipcase has a barcode sticker numbered “88875124422”. When the sticker is removed the originally printed barcode on the slipcase can be seen to have been incorrectly numbered “8887512442” (missing second "2").
Columbia/Legacy 88875124422 (USA) - sticker on front of slipcase, scan by Gerd Rundel	Columbia/Legacy 88875124422 (USA) - rear of slipcase with sticker over barcode, scan by Gerd Rundel	Columbia/Legacy 88875124422 (USA) - sticker over barcode on rear of slipcase, scan by Gerd Rundel	Columbia/Legacy 88875124422 (USA) - outside of front insert, scan by Gerd Rundel		Columbia/Legacy 88875124422 (USA) - inside of front insert, scan by Gerd Rundel
Columbia/Legacy 88875124422 (USA) - rear of slipcase without sticker, scan by Gerd Rundel	Columbia/Legacy 88875124422 (USA) - detail of rear insert, scan by Gerd Rundel
Columbia/Legacy 88875124422 (USA) - rear insert scan by Gerd Rundel	Columbia/Legacy 88875124422 (USA) - reverse of rear insert, scan by Gerd Rundel	Columbia/Legacy 88875124422 (USA) - detail of reverse of rear insert, scan by Gerd Rundel (with catalogue number, compare with European release below)	CBS 62.754 (France/CBS 62754 (Israel) - front scan by Hans Seegers (1966)	Columbia/Legacy 88875124422 (USA) - front of booklet, scan by Gerd Rundel (front of book 1 of the 6CD set)	Columbia/Legacy 88875124422 (USA) - rear of booklet, scan by Gerd Rundel (rear of book 2 of the 6CD set)
Columbia/Legacy 88875124422D1 (USA) - CD1 scan by Gerd Rundel	Columbia/Legacy 88875124422D1 (USA) - detail of CD1, scan by Gerd Rundel (same as European release below)		Columbia/Legacy 88875124422D1 (USA) - detail of CD1, scan by Gerd Rundel (compare with European release below)		Columbia/Legacy 88875124422D2 (USA) - CD2 scan by Gerd Rundel

Columbia/Legacy 88875124422 (USA) - detail of rear of slipcase without sticker, scan by Gerd Rundel

Columbia/Legacy/Sony Music 88875124422 (Europe/Australia):

Columbia/Legacy/Sony Music 88875124422 (Europe) - front of slipcase with sticker (my copy)	Columbia/Legacy/Sony Music 88875124422 (Europe) - front sticker	Columbia/Legacy/Sony Music 88875124422 (Europe) - rear of slipcase with sticker over barcode	Columbia/Legacy/Sony Music 88875124422 (Europe) - outside of front insert		Columbia/Legacy/Sony Music 88875124422 (Europe) - inside of front insert
Columbia/Legacy/Sony Music 88875124422 (Europe) - detail of rear of slipcase with sticker over barcode	Columbia/Legacy/Sony Music 88875124422 (Europe) - detail of rear insert with Sony Music logo on right ("Made in the EU")
Columbia/Legacy/Sony Music 88875124422 (Australia) - detail of rear of slipcase with sticker over barcode, scan by Stuart Moore	Columbia/Legacy/Sony Music 88875124422 (Europe) - rear insert	Columbia/Legacy/Sony Music 88875124422 (Europe) - booklet front (front of book 1 of the 6CD set)	Columbia/Legacy/Sony Music 88875124422 (Europe) - booklet rear (rear of book 2 of the 6CD set)	Columbia/Legacy/Sony Music 88875124422 (Europe) - reverse of rear insert	Columbia/Legacy/Sony Music 88875124422 (Europe) - detail of reverse of rear insert (no catalogue number. compare with US release above)
Columbia/Legacy/Sony Music 88875124422D1 (Europe) - CD1	Columbia/Legacy/Sony Music 88875124422D1 (Europe) - detail of CD1		Columbia/Legacy/Sony Music 88875124422D1 (Europe) - detail of CD1 ("Made in the EU")		Columbia/Legacy/Sony Music 88875124422D2 (Europe) - CD2

Columbia/Legacy/Sony Music 88875124422 (Europe) - detail of rear of slipcase with sticker on left ("Made in the EU")

Columbia/Legacy/Sony Music 88875177872 (NL) - front of box, scan by Arie de Reus

This 2CD set was also included in The Bootleg Series Collection, a Nov 2015 Columbia/Legacy Holland 21CD boxed set included in International Releases (Multi-Packs) 2010s. This was released in conjunction with the Dutch newspaper "De Volkskrant", who have already released several exclusive Dylan boxed sets in Holland.

Sony Music SICP 30597-98 (Japan):

Thanks to Sonny Boy McFitzson for information that the Japanese 2CD set will be ¥3,888 including 8% sales tax. Scans of the Japanese set required!

Columbia/Legacy/Sony Music 88875124422 (Brazil):

Columbia/Legacy/Sony Music 88875124422 (Brazil) - front of slipcase, scan by Gerd Rundel

This Brazilian 2CD set comes in a slipcase with different copyright text on the rear as the US/European releases, but has the same booklet.

Columbia/Legacy/Sony Music 88875124422 (Brazil) - rear of slipcase, scan by Gerd Rundel

Columbia/Legacy/Sony Music 88875124422 (Brazil) - CD1 scan by Gerd Rundel

Columbia/Legacy/Sony Music 88875124422 (Brazil) - CD2 scan by Gerd Rundel

Columbia/Legacy/Sony Music 88875124422 (Brazil) - spine of slipcase, scan by Gerd Rundel

Thanks to Hans Seegers, Stuart Moore, Arie de Reus and Gerd Rundel for information and scans.

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