The Bootleg Series Vol. 14 - More Blood, More Tracks
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This page is part of a list of original releases by release date of international commercially-released regular stereo Dylan albums. They do not contain rarities or obscurities and are not eligible for the Searching For A Gem list. Nevertheless, their interest value or scarcity means they're worth listing here - as far as I know some are not included on any other Internet site. Promo releases of regular albums are now listed here and no longer in the former yearly Promo sections. |
 The Bootleg Series Vol. 15 - Travelin' Thru 1967-1969 (2019) |
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If you have any entries to add to the list or additions/corrections to
existing entries, please let me know!
Please note I cannot value your Dylan rarities -
see the Mission page for reasons why. Contact the dealers on my
Trading page for assistance!
Revised 07 January, 2024.
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Catalogue numbers of US/European releases: 6CD
Deluxe Edition: Columbia/Legacy 19075858962; Single CD: 19075858982; 2LP
Set: 19075858971 - release date for all, 2 Nov 2018. Thanks to Éamonn Ó Catháin for information that all releases In The UK are limited: 6CD set - 6,500; single CD - 15,000; 2LP set - 4,000.
Thanks to Sonny Boy McFitzson for information about
the Japanese releases. The Japanese
booklet will have Japanese liner notes (maybe
analysis of sessions) plus the officially registered lyrics and
translations of English liner notes and lyrics. The discs will be
Blu-Spec CD 2 format: Pre-orders of the 6CD set by 12 Oct 2018 will include a bonus tin badge set. Each badge is 38mm×38mm sized. There will not be a Japanese vinyl release, but copies may be imported. |
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The book included with the Deluxe Edition has four missing pages from Bob's 1974 ring-bound notebook because of a printing error. The missing pages can be found here: As can be seen on left, some copies have badly cut pages! Thanks to Fred Muller and Bob Meyer for news that the 1974 Blood On The Tracks test pressing will be released on vinyl on Record Store Day, 13 Apr 2019. This will be an exact reproduction of the 1974 disc with the original mixes (not included on the Deluxe Edition of The Bootleg Series Vol. 14 - More Blood, More Tracks in 2018, almost certainly deliberately) and be limited to 7500 copies worldwide. This will be the first time that the award-winning liner notes by Pete Hamill will actually describe the takes that are on the album! As the original mixes are rarities, this album is listed in 2019. |
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Thanks also to Harald Sigvartsen and Per Jakobsen for comments on the tracks and the books. Harald Sigvartsen says: "And now to the pictures In The “Stories from the press” book. – As you may have suspected, I do really closely read text and inspect the pictures of these releases. In the “Stories…” book I found some pictures worth mentioning. The pictures on pages 78 and 79 of this book must be from the photo sessions from which the covers of the above-mentioned Australian and Swedish best-of releases have their pictures. There are also further pictures In The CD-book which clearly must be from the same photo sessions, they are throughout this book, - on the pages 22, 27, 30, 33, 40 and also (in black/white) on page 34. I hope this is also worth pointing out. (It should be mentioned here that the single disc booklet have some of these pictures. On the pages 10, 16, 20, and, the b/w picture, on page 25.) There is a picture of a “Rolling Stone” magazine on page 33 of the “Stories..” book that is repeated on page 35. On page 35 this picture is cropped, but it is actually the very same picture. Should this be mentioned on your site?"
Harald Sigvartsen adds: Idiot Wind is perhaps Dylan’s most cathartic song outside the songs released In The 1960s (such as Like A Rolling Stone and Positively 4th Street), and it’s a song that has been released in various versions also officially. My personal favorite is the live version from the Hard Rain album. Idiot Wind (Take 4, Remake) is track 9 on the single disc version and also track 9 (by coincidence, I think) on CD4 of the box set. The booklet for the Standard Edition and the book In The Deluxe Edition says that this is the raw version without organ overdub. This is almost correct. There is a little misinformation here. The version used on the Deluxe Edition has 23 seconds of “studio chatter” at the beginning which is not mentioned In The book (making the song’s length 9.14 in total). The version on the single disc is 8.51, and thus without this “studio chatter”. This means that the version on the single disc edition of The Bootleg Series Vol. 14 is exclusive to this release. Maybe worth pointing out?
The next issue is also regarding Idiot Wind. I have not heard the original test pressing of Blood On The Tracks, so I can’t say I know by my own ears what’s what on the matter here. I have checked closely the labels for the test pressing, and they don’t give anything away in terms of useful information. I have, though, listened closely to the versions on the Deluxe Edition, and tried comparing them with the released version on The Bootleg Series Vols. 1-3. I think that track 10 on CD4 must be the version from the test pressing, which also the book says, but, incorrectly, claims that this version was released on The Bootleg Series Vols. 1-3 in 1991. The version released on The Bootleg Series Vols. 1-3 in 1991 is actually the version recorded on September 16, 1974 (track 11 on CD2), Idiot Wind (Take 6) to be specific]. There is no doubt that the text In The book of the Deluxe Edition is wrong claiming that the test pressing version were released on The Bootleg Series Vols. 1-3. The version from the test pressing has not been officially released before the release of The Bootleg Series Vol. 14 this November. I hope this resolves the issues that emerged around which versions of Idiot Wind are on what release – and something that should be pointed out on your site?"
So, the original 1974 version of Blood On The Tracks can almost be assembled as follows:
Side 1: Tangled Up In Blue (CD5, track 2, 6:51, recorded 19 Sep 1974); Simple Twist of Fate (CD5, track 5, 4:22, recorded 19 Sep 1974); You're A Big Girl Now (CD3, track 3, 4:23, recorded 17 Sep 1974); Idiot Wind (CD5, track 10, 8:52, recorded 19 Sep 1974); You're Gonna Make Me Lonesome When You Go (CD4, track 2, 3:25, recorded 17 Sep 1974 - the released version was edited to 2:58)*
Side 2: Meet Me In The Morning (CD2, track 5, 5:43, recorded 16 Sep 1974 - the released version was edited to 4:19)*; Lily, Rosemary And The Jack Of Hearts (CD1, track 11, 9:49, recorded 16 Sep 1974); If You See Her, Say Hello (CD4, track 13, 3:26, recorded 19 Sep 1974); Shelter From The Storm (CD3, track 15, 5:02, recorded 17 Sep 1974); Buckets Of Rain (CD4, track 12, 3:23, recorded 19 Sep 1974)
All recorded A&R Recording Studios, New York, 16-19 Sep 1974.
The revised version of Blood On The Tracks released in early 1975 can almost be assembled as follows:
Side 1: Tangled Up In Blue (CD6, track 6, 5:47, recorded Sound 80 Studio, Minneapolis, MN, 30 Dec 1974); Simple Twist of Fate (CD5, track 5, 4:22, recorded A&R Recording Studios, New York, 19 Sep 1974); You're A Big Girl Now (CD6, track 5, 4:38, recorded Sound 80 Studio, Minneapolis, MN, 27 Dec 1974); Idiot Wind (CD6, track 4, 7:53, recorded Sound 80 Studio, Minneapolis, MN, 27 Dec 1974); You're Gonna Make Me Lonesome When You Go (CD4, track 2, 3:25, recorded 17 Sep 1974 - the released version was edited to 2:58)*
Side 2: Meet Me In The Morning (CD2, track 5, 5:43, recorded A&R Recording Studios, New York, 16 Sep 1974 - the released version was edited to 4:19)*; Lily, Rosemary And The Jack Of Hearts (CD6, track 7, 8:59, recorded Sound 80 Studio, Minneapolis, MN, 30 Dec 1974); If You See Her, Say Hello (CD6, track 8, 4:44, recorded Sound 80 Studio, Minneapolis, MN, 30 Dec 1974); Shelter From The Storm (CD3, track 15, 5:02, recorded A&R Recording Studios, New York, 17 Sep 1974); Buckets Of Rain (CD4, track 12, 3:23, recorded A&R Recording Studios, New York, 19 Sep 1974)
* longer versions of these tracks on the 1974 test pressing and 1975 released album
Terry Harvey adds re the various versions of Meet Me In The Morning: "As well as missing 40 seconds at the start, I noticed further editing to the single CD The Bootleg Series Vol. 14 version in that the fourth verse has been cut out, rather like the editing done to the track that appeared on 1974's Blood On The Tracks and the 1973 test pressing. Until I took a more detailed listen to these tracks I didn’t realise what a bad editing job was done on the beginning of the single CD track. They tried to tidy up the untidy start by making it more untidy. Starting it at the beginning of a bar (or possibly fading it in - although I’m not a fan) would have been more satisfactory. Another comment. Take 1 of this track on CD2 Track 5 of the The Bootleg Series Vol. 14 Deluxe Edition has other differences to the Blood On The Tracks/Test Pressing version apart from the “additional” verse. As well as having six verses, (verse four having been excised) the instrumental coda is longer and different. Blood On The Tracks has the equivalent of a one verse coda whereas the The Bootleg Series Vol. 14 Deluxe Edition has two which play to a stop, and the guitar solo is different."
Terry Harvey adds re the various versions of Tangled Up In Blue: "
The More Blood, More Tracks booklet states that the remixed Test Pressing track (Take 3 Remake 2) and Tangled on The Bootleg Series Vols. 1-3 are one and the same. This is of course wrong. Olof Bjoerner’s 1973 File repeats this mistake. Your 2012 Gem page cites the 16 September Take 1 as The Bootleg Series Vols. 1-3 Tangled, as does Les Kokay in Isis 203 (as does Krogsgaard as serialised in "The Telegraph", although I don’t know if this has been updated). This is also wrong. The Bootleg Series Vols. 1-3 track is the More Blood, More Tracks 17 September Take 3 Remake - Disc 3, Track 11. I have checked it word for word and it’s definitely the same track. I always wondered why it seemed to start slightly late on Bootleg Series Vols. 1-3 and various bootleg copies and we can now hear that the More Blood, More Tracks version has a messy start which was chopped off for The The Bootleg Series Vols. 1-3. The only difference I can discern between More Blood, More Tracks and The Bootleg Series Vols. 1-3 is that there is a slight edit on the More Blood, More Tracks version which halves the instrumental break between verses 3 and 4 (why???)."For the alternate take released as a 7" single B-side see 2012.
The Bootleg Series Vol. 14 6CD version
Titles in GREEN were previously released on earlier official Dylan albums and singles, although they are now in remixed/remastered form.
Titles in BLUE are also on the single CD set The Bootleg Series Vol. 14 - More Blood, More Tracks (Standard Edition).
Because this is a Strictly Limited Edition the other tracks are rarities, and are listed in 2018.
DISC 1
A & R Studios
New York
September 16, 1974
1. If You See Her, Say Hello (Take 1) – solo (3:58),
also released on the single CD version
2.
If You See Her, Say Hello (Take 2) – solo (3:44), previously released on The
Bootleg Series, Vols. 1-3: Rare and Unreleased, 1961-1991
3.
You’re A Big Girl Now (Take 1) – solo (5:38)
4.
You’re A Big Girl Now (Take 2) – solo (4:41), also released on the single CD
version and on the disc Dylan: The Best Of The Bootleg Series given
away with "Uncut" magazine, UK, Dec 2018, published 18 Oct 2018 (see above
right)
5. Simple Twist Of Fate (Take 1) – solo (4:41), also released on the single
CD version
6.
Simple Twist Of Fate (Take 2) – solo (5:05)
7.
You’re A Big Girl Now (Take 3) – solo (4:14)
8.
Up To Me (Rehearsal) – solo (0:20)
9.
Up To Me (Take 1) – solo (6:04)
10.
Lily, Rosemary And The Jack Of Hearts (Take 1) – solo (3:15)
11.
Lily, Rosemary And The Jack Of Hearts (Take 2) – solo (9:49), included on Blood
on the Tracks test pressing (R-0116, see
1974) and also released on the single CD
version
Bob Dylan – vocals, guitar, harmonica
DISC 2
A & R Studios
New York
September 16, 1974
1.
Simple Twist Of Fate (Take 1A) – with band (4:58)
2.
Simple Twist Of Fate (Take 2A) – with band (1:24)
3.
Simple Twist Of Fate (Take 3A) – with band (4:22)
4.
Call Letter Blues (Take 1) – with band (4:42)
5.
Meet Me In The Morning (Take 1) – with band, full version (5:43), the version included on
Blood on the Tracks test pressing and previously released on Blood on
the Tracks was edited (4:19)
Harald Sigvartsen says: "The book correctly says that
this is the full version of the song, but doesn’t say why the edited
version, which were on both the test pressing and the final version of
Blood On The Tracks in 1975, is omitted from the Deluxe Edition. This
means that the test pressing version is still only released on Blood On
The Tracks. This fact should be pointed out, as the impression was that
everything from the 1974 sessions were to be released on the Deluxe
Edition."
6.
Call Letter Blues (Take 2) – with band (4:29), previously released on The
Bootleg Series, Vols. 1-3: Rare and Unreleased, 1961-1991
7.
Idiot Wind (Take 1) – with bass (3:48)
8.
Idiot Wind (Take 1, Remake) – with bass (5:29)
9.
Idiot Wind (Take 3 with insert) – with bass (7:11) (take 2 is missing!)
10.
Idiot Wind (Take 5) – with bass (0:30) (take 4 is missing!)
11.
Idiot Wind (Take 6) – with bass (8:52), this is not the take included on
Blood on the Tracks test pressing (R-0118, see
1974), overdubbed on 8 Oct 1974,
but instead the version on The Bootleg Series Vols. 1-3: Rare and
Unreleased, 1961-1991, CD2 track 20!
12.
You’re Gonna Make Me Lonesome When You Go (Rehearsal and Take 1) – with band
(1:25)
13.
You’re Gonna Make Me Lonesome When You Go (Take 2) – with band (0:46)
14.
You’re Gonna Make Me Lonesome When You Go (Take 3) – with band (1:13)
15.
You’re Gonna Make Me Lonesome When You Go (Take 4) – with bass (3:12)
16.
You’re Gonna Make Me Lonesome When You Go (Take 5) – with band (5:16)
17.
You’re Gonna Make Me Lonesome When You Go (Take 6) – with band (1:03)
18.
You’re Gonna Make Me Lonesome When You Go (Take 6, Remake) – with band
(0:57)
19.
You’re Gonna Make Me Lonesome When You Go (Take 7) – with band (0:59)
20.
You’re Gonna Make Me Lonesome When You Go (Take 8) – with band (3:33)
Bob Dylan: vocals, guitar, harmonica
Eric Weissberg, Charles Brown III, Barry Kornfeld: guitars
Thomas McFaul: keyboards
Tony Brown: bass
Richard Crooks: drums
Buddy Cage: steel guitar (5-6)
DISC 3
A & R Studios
New York
September 16, 1974
1.
Tangled Up In Blue (Take 1) – with bass (7:19)
A & R Studios
New York
September 17, 1974
2.
You’re A Big Girl Now (Take 1, Remake) – with bass and organ (4:55)
3.
You’re A Big Girl Now (Take 2, Remake) – with bass, organ, and steel guitar
(4:23), included on Blood on the Tracks test pressing (R-0117, see
1974) and previously
released in a remixed form on Biograph
4.
Tangled Up In Blue (Rehearsal) – with bass and organ (0:59)
5.
Tangled Up In Blue (Take 2, Remake) – with bass and organ (6:38)
6.
Spanish Is The Loving Tongue (Take 1) – with bass and piano (4:56)
Different versions of this song appeared on
CBS 7" mono and stereo singles (R-0072, see
1971), the 1973 Dylan album (R-0096, see
1973), and The Bootleg Series, Vol. 10 - Another Self Portrait 1969-1971,
Aug 2013.
7.
Call Letter Blues (Rehearsal) – with bass and piano (2:03)
8.
You’re Gonna Make Me Lonesome When You Go (Take 1, Remake) – with bass and
piano (3:11)
9.
Shelter From The Storm (Take 1) – with bass and piano (6:03), previously released
on the Jerry Maguire original soundtrack, 1996 (R-0250)
Apparently R-0250 was mixed to make the piano accompaniment barely
audible - it is much more prominent on the 2018 released version of the same
take.
10.
Buckets Of Rain (Take 1) – with bass (2:57)
11.
Tangled Up In Blue (Take 3, Remake) – with bass (6:44), previously released on The
Bootleg Series, Vols. 1-3: Rare and Unreleased, 1961-1991
Both Harald Sigvartsen, Per Jakobsen and Terry Harvey agree that CD3 track 11
(take 3 remake) is the version on The Bootleg Series Vols. 1-3 CD2
track 18! This is at odds with the liner notes (see above).
12.
Buckets Of Rain (Take 2) – with bass (3:20)
13. Shelter From The Storm (Take 2) – with bass
(4:39), also released on the single CD version
14.
Shelter From The Storm (Take 3) – with bass (2:23)
15.
Shelter From The Storm (Take 4) – with bass (5:02) – previously released on
Blood on the Tracks
Bob Dylan: vocals, guitar, harmonica
Tony Brown: bass
Paul Griffin: keyboards (2-9)
Buddy Cage: steel guitar (3)
DISC 4
A & R Studios
New York
September 17, 1974
1.
You’re Gonna Make Me Lonesome When You Go (Take 1, Remake 2) – with bass
(3:43), also released on the single CD version
2.
You’re Gonna Make Me Lonesome When You Go (Take 2, Remake 2) – with bass
(3:25), previously released on Blood on the Tracks
but in edited form (2:58)!
Harald Sigvartsen says: "You're
Gonna Make Me Lonesome When You Go (Take 1, Remake 2) is said to be the one
used on the final album, and thus the test pressing. This is almost correct.
It is this take that were used on both test pressing and final album, but
the version on the Deluxe Edition is actually an unfaded, 30 seconds longer,
version of the song (probably the original version) . This means that also
this song isn’t represented with its test pressing/original album version in
the box set. [I checked with the labels of the test pressing and the
original album from 1975.] I think that this is worth mentioning on your
site, as this fact must have slipped the producers of the new Bootleg Series
release."
A & R Studios
New York
September 18, 1974
3.
Buckets Of Rain (Take 1, Remake) – solo (3:19)
4. Buckets Of Rain (Take 2, Remake) – solo (3:03),
also released on the single CD version
5.
Buckets Of Rain (Take 3, Remake) – solo (0:53)
6.
Buckets Of Rain (Take 4, Remake) – solo (2:37)
A & R Studios
New York
September 19, 1974
7.
Up To Me (Take 1, Remake) – with bass (1:17)
8. Up To Me (Take 2, Remake) – with bass (6:48), also
released on the single CD version
9.
Buckets Of Rain (Take 1, Remake 2) – with bass (3:08)
10.
Buckets Of Rain (Take 2, Remake 2) – with bass (1:03)
11.
Buckets Of Rain (Take 3, Remake 2) – with bass 1:55)
12.
Buckets Of Rain (Take 4, Remake 2) – with bass (3:23), previously released on
Blood on the Tracks
13.
If You See Her, Say Hello (Take 1, Remake) – with bass (3:26), previously included
on Blood on the Tracks test pressing (R-0119, see
1974)
14.
Up To Me (Take 1, Remake 2) – with bass (0:57)
15.
Up To Me (Take 2, Remake 2) – with bass (6:48)
16.
Up To Me (Take 3, Remake 2) – with bass (6:38)
17.
Buckets Of Rain (Rehearsal) – with bass (0:53)
18.
Meet Me In The Morning (Take 1, Remake) – with bass (4:57), previously
released on the Duquesne Whistle 7” single, 2012 (R-0935), also released on
the single CD version but in edited form (4:17) so R-0935 remains a rarity!
19.
Meet Me In The Morning (Take 2, Remake) – with bass (4:15)
20.
Buckets Of Rain (Take 5, Remake 2) – with bass (3:27)
Bob Dylan: vocals, guitar, harmonica
Tony Brown: bass (1-2, 7-20)
*****
DISC 5
A & R Studios
New York
September 19, 1974
1.
Tangled Up In Blue (Rehearsal and Take 1, Remake 2) – with bass (3:08) (see comment
for Take 3)
2.
Tangled Up In Blue (Take 2, Remake 2) – with bass (1:32)
3. Tangled Up In Blue (Take 3, Remake 2) – with bass (6:51), included on Blood on
the Tracks test pressing (R-0120, see
1974) but not the take previously released on The Bootleg
Series, Vols. 1-3: Rare and Unreleased, 1961-1991
The previous statement that both these takes were the same is incorrect. My
earlier information was that Take 1 from 16 Sep 1974 was released on The Bootleg Series, Vols. 1-3,
while the take released on the Blood on
the Tracks test pressing was Take 1 from 19 Sep 1974 (CD5, track
1 above). We now know that CD5 track 3 (Take 3,
Remake 2), and the version on the test pressing are the same take!
4. Simple Twist Of Fate (Take 2, Remake) – with bass
(4:51)
5.
Simple Twist Of Fate (Take 3, Remake) – with bass (4:22), previously released on
Blood on the Tracks
6.
Up To Me (Rehearsal and Take 1, Remake 3) – with bass (2:25)
7.
Up To Me (Take 2, Remake 3) – with bass (6:24), previously released on Biograph
Thanks to Fred Muller for pointing out that the recording date on
Biograph and bobdylan.com is 25 Sep 1974. This cannot possibly be
correct. The only New York recording session after 19 Sep 1974 documented by
Michael Krogsgaard is an overdub session for Idiot Wind on 8 Oct 1974 by
Paul Griffin on organ. However, this mistake may have occurred because the
first test pressing is dated "9/25/74" (see
1974). Michael Krogsgaard's 1988
book "Master of the Tracks" gives the recording date of the released take of
Up To Me as 25 Sep 1974, but in his article "Bob Dylan: The Recording
Sessions (Part 3)" in "The Telegraph" 55, Summer 1996, he revised the date
to 19 Sep 1974. Thanks to Harald Sigvartsen for reminding me that this
version has a five second intro not present on the Biograph version.
8.
Idiot Wind (Rehearsal and Takes 1-3, Remake) – with bass (4:53) (see comment for
Take 4)
9. Idiot Wind (Take 4, Remake) – with bass (9:14), also released on the
single CD version but at 8:51 with 23 seconds of "studio chatter" edited out
10.
Idiot Wind (Take 4, Remake) – with organ overdub (8:52), included on Blood on
the Tracks test pressing (the real R-0118, see
1974) but not the take previously released on The Bootleg
Series, Vols. 1-3: Rare and Unreleased, 1961-1991
The earlier statement that both these takes were the same is
incorrect. My
previous information was that Take 4 from 19 Sep 1974 was released on The Bootleg Series, Vols. 1-3,
while the take released on the Blood on
the Tracks test pressing was actually Take 6 from 16 Sep 1974,
overdubbed on 8 Oct 1974. This is wrong - CD5, track 10 is the track from
the test pressing! We now know that CD5 track 10 (take 4, remake) with organ
overdub, and the version on the test pressing are the same take.
11. You’re A Big Girl Now (Take 1, Remake 2) – with bass
(3:06)
12.
Meet Me In The Morning (Take 1, Remake 2) – with bass (3:52)
13.
Meet Me In The Morning (Takes 2-3, Remake 2) – with bass (1:43)
Bob Dylan: vocals, guitar, harmonica
Tony Brown: bass
DISC 6
A & R Studios
New York
September 19, 1974
1.
You’re A Big Girl Now (Takes 3-6, Remake 2) – with bass (2:17)
2.
Tangled Up In Blue (Rehearsal and Takes 1-2, Remake 3) – with bass (5:09)
3. Tangled Up In Blue (Take 3, Remake 3) – with bass
(6:32), also released on the single CD version
Sound 80 Studio
Minneapolis, MN
December 27, 1974
4.
Idiot Wind – with band (7:53), previously released on Blood on the Tracks
5.
You’re A Big Girl Now – with band (4:38), previously released on Blood on the
Tracks
Sound 80 Studio
Minneapolis, MN
December 30, 1974
6.
Tangled Up In Blue – with band (5:47), previously released on Blood on the
Tracks
7.
Lily, Rosemary And The Jack Of Hearts – with band (8:59), previously released on
Blood on the Tracks
8.
If You See Her, Say Hello – with band (4:44), previously released on Blood on
the Tracks
Bob Dylan: vocals, guitar, harmonica, organ (4-5), mandolin (8)
Tony Brown: bass (1-3)
Chris Weber: guitar (4-6, 8)
Kevin Odegard: guitar (6)
Peter Ostroushko: mandolin (8)
Gregg Inhofer: keyboards (4-8)
Billy Peterson: bass (4, 6-7)
Bill Berg: drums (4-8)
All songs written by Bob Dylan except Spanish is the Loving Tongue
(traditional, arranged by Bob Dylan)
New York sessions originally engineered by Phil Ramone
Minneapolis sessions originally engineered by Paul Martinson. The original
tapes of this session have been lost, so only the masters of the released
tracks still exist.
The Bootleg Series Vol. 14 Single CD version
1.
Tangled Up In Blue (9/19/74, Take 3, Remake 3) - CD6, track 3 (6:30)
2.
Simple Twist Of Fate (9/16/74, Take 1) - CD1, track 5 (4:40)
3. Shelter From The Storm (9/17/74, Take 2) - CD3, track 13 (4:38)
4.
You’re a Big Girl Now (9/16/74, Take 2) - CD1, track 4 (4:41)
5.
Buckets Of Rain (9/18/74, Take 2, Remake) - CD4, track 4 (3:03)
6.
If You See Her, Say Hello (9/16/74, Take 1) - CD1, track 1 (3:51)
7.
Lily, Rosemary And The Jack Of Hearts (9/16/74, Take 2) - CD1, track 11 (9:51),
previously included on Blood
on the Tracks test pressing (R-0116, see
1974), but here in a different mix!
8. Meet Me In The Morning (9/19/74, Take 1, Remake), CD4, track 18 (4:17),
previously released on the Duquesne Whistle 7” single, 2012 (R-0935), but here
edited to be 40 seconds shorter! This means R-0935 on CD4, track 18 (4:57),
remains a rarity.
9.
Idiot Wind (9/19/74, Take 4, Remake) - CD5, track 9 (8:51)
10. You’re Gonna Make Me Lonesome When You Go (9/17/74, Take 1, Remake 2) - CD4,
track 1 (3:43)
11.
Up To Me (9/19/74, Take 2, Remake) - CD4, track 8 (6:46)
The Bootleg Series Vol. 14 2LP version
Side: 1
1. Tangled Up In Blue (9/19/74, Take 3, Remake 3) (6:30)
2. Simple Twist Of Fate (9/16/74, Take 1) (4:40)
3. Shelter from the Storm (9/17/74, Take 2) (4:38)
Side: 2
1. You're a Big Girl Now (9/16/74, Take 2) (4:41)
2. Buckets of Rain (9/18/74, Take 2, Remake) (3:03)
3. If You See Her, Say Hello (9/16/74, Take 1) (3:51)
Side: 3
1. Lily, Rosemary And The Jack Of Hearts (9/16/74, Take 2) (9:51)
2. Meet Me In The Morning (9/19/74, Take 1, Remake) (4:17)
Side: 4
1. Idiot Wind (9/19/74, Take 4, Remake) (8:51)
2. You're Gonna Make Me Lonesome When You Go (9/17/74, Take 1, Remake 2) (3:43)
3. Up To Me (9/19/74, Take 2, Remake) (6:46)
Vinyl Releases
"The Bootleg Series Vol. 14 - More Blood, More Tracks" (Vinyl Edition) - 2LP releases, Columbia/Legacy 19075858971 (USA); Columbia/Legacy/Sony Music 19075858971 (Europe), 3 Nov 2018:
This double album comes in a wide outer sleeve that holds both records in picture sleeves and a four page 12" folded insert.
Columbia/Legacy 19075858971 (USA):
 Columbia/Legacy 19075858971 (USA) - front with sticker, scan by Gerd Rundel |
 Columbia/Legacy 19075858971 (USA) - front sticker scan by Gerd Rundel |
 Columbia/Legacy 19075858971 (USA) - rear scan by Gerd Rundel |
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 Columbia/Legacy 19075858971 (USA) - detail of Side 1, scan by Gerd Rundel |
 Columbia/Legacy 19075858971 (USA) - download insert scan by Gerd Rundel ("14552" in top right corner, rear is plain white) |
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 Columbia/Legacy 19075858971 (USA) - detail of rear of inner sleeve for Record 1, scan by Gerd Rundel |
 Columbia/Legacy 19075858971 (USA) - rear of inner sleeve for Record 1, scan by Sonny Boy McFitzson |
 Columbia/Legacy 19075858971 (USA) - Side 1 scan by Gerd Rundel |
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 Columbia/Legacy 19075858971 (USA) - rear of inner sleeve for Record 2, scan by Sonny Boy McFitzson |
 Columbia/Legacy 19075858971 (USA) - Side 3 scan by Gerd Rundel |
 Columbia/Legacy 19075858971 (USA) - Side 4 scan by Gerd Rundel |
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Columbia/Legacy 19075858971 (USA) - detail of rear,
scan by Gerd Rundel
There is also a small MP3 download insert which is plain white on the rear - the download code has been obscured on the scan. "14552" is printed in the top right hand corner, missing from the European version below. The records of Gerd Rundel's copy have matrix numbers: Side 1 - 18-0265 19075858971 - A (handwritten), MPO 18 40628 (stamped), Side 2 - 18-0265 19075858971 - B (handwritten), MPO 18 40536 (stamped), Side 3 - 18-0265 19075858971 - C (handwritten), MPO 18 41510 (stamped), Side 4 - 18-0265 19075858971 - D (handwritten), MPO 18 40647 (stamped). There is also handwritten "RKS" and stamped "STERLING" in the vinyl on each side. This means that the records were mastered by recording engineer Ryan K Smith of Sterling Sound, Edgewater, NJ.
Columbia/Legacy 19075858971 (USA for Japan):
 Columbia/Legacy 19075858971 (USA for Japan) - front scan found by Sonny Boy McFitzson |
This copy of the US 2LP set was bought in Japan, scans found online by Sonny Boy McFitzson. Thanks to Gerd Rundel for pointing out that the rear sleeve of the copy sold in Japan is slightly different from that of the US copy, with no Columbia and Legacy logos on the left, and no barcode on the right. All other details appear the same. |
 Columbia/Legacy 19075858971 (USA for Japan) - rear scan found by Sonny Boy McFitzson |
 Columbia/Legacy 19075858971 (USA for Japan) - Side 1 scan found by Sonny Boy McFitzson (same as US Side 1) |
Columbia/Legacy 19075858971 (USA for Japan) - detail of rear,
scan found by Sonny Boy McFitzson
Columbia/Legacy/Sony Music 19075858971 (Europe) - test pressing:
 Columbia/Legacy/Sony Music 19075858971 (Europe) - test pressing front sleeves scan by Gerd Rundel (Records 1 and 2 are the same) |
Thanks to Gerd Rundel for finding a test pressing of the European 2LP set. These audiophile quality 187gm discs were pressed in France by MPO and come in the original lined MPO Test Pressing sleeves. "MPO" is "Moularges et Plastiques de l'Ouest [Western Mouldings & Plastics]". The front has French and Spanish text while the rear has English and German text. The front is identical on both sleeves while the rear sleeves have handwriting in black marker pen. The sleeves are dated "8/5/18" (either 8 May 2018 or 5 Aug 2018, both dates well before the album was actually released). The order of the tracks is the same as the commercial release. The matrix numbers are: Side 1 - 18-0265 19075858971 - A (handwritten), MPO 18 35468 (stamped), Side 2 - 18-0265 19075858971 - B (handwritten), MPO 18 35463 (stamped), Side 3 - 18-0265 19075858971 - C (handwritten), MPO 18 35464 (stamped), Side 4 - 18-0265 19075858971 - D (handwritten), MPO 18 36933 (stamped). There is also handwritten "RKS" and stamped "STERLING" in the vinyl on each side, as the US discs. | ||||
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 Columbia/Legacy/Sony Music 19075858971 (Europe) - test pressing rear sleeve for Record 2, scan by Gerd Rundel |
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 Columbia/Legacy/Sony Music 19075858971 (Europe) - test pressing Side 3 scan by Gerd Rundel |
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Columbia/Legacy/Sony Music 19075858971 (Europe) - commercial release:
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Columbia/Legacy/Sony Music 19075858971 (Europe) - front with sticker (my copy) |
The European 2LP set again comes in a wide sleeve holding both LPs with a front sticker. The inner sleeves are the same as those of the US release. The four page 12" insert has different copyright text on bottom right of the rear (see detail scan below), but otherwise it's the same as that of the US release. This European copy comes also with the MP3 download insert (again plain white on the rear) but the small number "14552" at front top right is missing. |
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 Columbia/Legacy/Sony Music 19075858971 (Europe) - rear |
 Columbia/Legacy/Sony Music 19075858971 (Europe) - detail of insert rear, scan by Gerd Rundel (compare bottom line of copyright text with US version above) |
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 Columbia/Legacy/Sony Music 19075858971 (Europe) - Side 1 scan by Gerd Rundel |
 Columbia/Legacy/Sony Music 19075858971 (Europe) - detail of Side 1, scan by Gerd Rundel ("Made in the EU") |
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 Columbia/Legacy/Sony Music 19075858971 (Europe) - Side 3 scan by Gerd Rundel |
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Columbia/Legacy/Sony Music 19075858971 (Europe) -
detail of rear, scan by Franck Faugere
The records were made in the EU. Those of the copy shown have matrix numbers: Side 1 - 18-0265 19075858971 - A (handwritten), MPO 18 46639 (stamped), Side 2 - 18-0265 19075858971 - B (handwritten), MPO 18 46638 (stamped), Side 3 - 18-0265 19075858971 - C (handwritten), MPO 18 45355 (stamped), Side 4 - 18-0265 19075858971 - D (handwritten), MPO 18 45314 (stamped). There is also handwritten "RKS" and stamped "STERLING" in the vinyl on each side, as the US and test pressing discs.
Thanks to Éamonn Ó Catháin for information that German sellers JPC are offering an exclusive art print of Bob with orders of the 2LP set from them for €21.99.
Thanks to Franck Faugere, Sonny Boy McFitzson, Gerd Rundel and Franck Faugere for information and scans.
"Blood On The Tracks" - 12" stereo test pressings, Columbia/Legacy 19075931221 (USA)/ Columbia/Legacy/Sony Music 19075931221 (Europe), 13 Apr 2019:
 Columbia/Legacy 19075931221 (USA) - front scan by Colin Hindson |
Thanks to Fred Muller and Bob Meyer for news that the 1974 Blood
On The Tracks test pressing will be released on vinyl on Record
Store Day, 13 Apr 2019. This will be an exact reproduction of the 1974 disc with
the original mixes (not included on the Deluxe Edition of The Bootleg
Series Vol. 14 - More Blood, More Tracks in 2018, almost certainly
deliberately) and be limited to 7500 copies worldwide. This will be the first time that the
award-winning liner notes by Pete Hamill will actually describe the
takes that are on the album! For full details see 2019. Thanks to Colin Hindson and Hermann Rechberger for information and scans. |
Columbia/Legacy/Sony Music 19075931221 (Europe) - front with sticker, scan by Hermann Rechberger |
CD Releases (Deluxe Edition)
"The Bootleg Series Vol. 14 - More Blood, More Tracks" (Deluxe Edition) - 6CD sets, Columbia/Legacy 19075858962 (USA); Columbia/Legacy/Sony Music 19075858962 (Europe), 2 Nov 2018; Sony Music SICP 31211-6 (Japan), 9 Nov 2018:
Columbia/Legacy 19075858962 (USA):
 Columbia/Legacy 19075858962 (USA) - front of box with sticker, scan by Bill Hester |
Like the previous Bootleg Series Deluxe Editions, this release comes in an 8" x 8" box made of hard card, containing two hard cover books, one called "Stories In The Press" with previously unreleased photographs and reproduced pages of one of Dylan's handwritten notebooks with early lyrics, and a second with the 6 CDs and descriptions of the tracks listed above. | ||||
 Columbia/Legacy 19075858962 (USA) - front sticker scan by Bill Hester |
 Columbia/Legacy 19075858962 (USA) - rear of box, scan by Bill Hester |
 Columbia/Legacy 19075858962 (USA) - front of "Stories In The Press" book 1, scan by Bill Hester |
 Columbia/Legacy 19075858962 (USA) - rear of "Stories In The Press" book 1, scan by Bill Hester |
 Columbia/Legacy 19075858962 (USA) - front of book 2 with CDs, scan by Bill Hester |
 Columbia/Legacy 19075858962 (USA) - rear of book 2 with CDs, scan by Bill Hester |
 Columbia/Legacy 19075858962 (USA) - CD1 scan by Bill Hester |
 Columbia/Legacy 19075858962 (USA) - CD2 scan by Bill Hester |
 Columbia/Legacy 19075858962 (USA) - CD3 scan by Bill Hester |
 Columbia/Legacy 19075858962 (USA) - CD4 scan by Bill Hester |
 Columbia/Legacy 19075858962 (USA) - CD5 scan by Bill Hester |
 Columbia/Legacy 19075858962 (USA) - CD6 scan by Bill Hester |
Columbia/Legacy 19075858962 (USA) - spine of box, scan
by Bill Hester
Columbia/Legacy 19075858962 (USA) - open side of box
with two books, scan by Bill Hester
Columbia/Legacy 19075858962 (USA) - detail of rear of
box, scan by Bill Hester
Columbia/Legacy/Sony Music 19075858962 (Europe):
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Columbia/Legacy/Sony Music 19075858962 (Europe) - front of box with sticker (my copy) |
The European Deluxe Edition box is virtually identical to the US box. The box and the CDs were made In The EU but the two books look identical to those made In The USA. |
 Columbia/Legacy/Sony Music 19075858962 (Europe) - front sticker |
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 Columbia/Legacy/Sony Mu+sic 19075858962 (Europe) - front of book 2 with CDs, scan by Gerd Rundel |
 Columbia/Legacy/Sony Music 19075858962 (Europe) - rear of book 2 with CDs, scan by Gerd Rundel |
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 Columbia/Legacy/Sony Music 19075858962 (Europe) - CD3 scan by Gerd Rundel |
 Columbia/Legacy/Sony Music 19075858962 (Europe) - inside of book 2 with CD1 on right (my copy) |
 Columbia/Legacy/Sony Music 19075858962 (Europe) - inside of book 2 with CDs 2 & 3 |
 Columbia/Legacy/Sony Music 19075858962 (Europe) - CD4 scan by Gerd Rundel |
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 Columbia/Legacy/Sony Music 19075858962 (Europe) - CD5 scan by Gerd Rundel |
 Columbia/Legacy/Sony Music 19075858962 (Europe) - inside of book 2 with CDs 4 & 5 |
 Columbia/Legacy/Sony Music 19075858962 (Europe) - inside of book 2 with CD6 on left |
 Columbia/Legacy/Sony Music 19075858962 (Europe) - CD6 scan by Gerd Rundel |
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Columbia/Legacy/Sony Music 19075858962 (Europe) - spine
of box
Columbia/Legacy/Sony Music 19075858962 (Europe) - open
side of box with two books
Columbia/Legacy/Sony Music 19075858962 (Europe) - detail
of rear of box (German address, "Made In The EU")
 Columbia/Legacy/Sony Music 19075858962 (Europe) - inside of book 2 with pocket for CD 5 ("BL 38862" and "MONEY" at top right) |
Thanks to Ward Whipple for spotting an anomaly in book 2 on the page with the pocket for CD5. Although the illustration of a tape reel has "Bob Dylan" and "GRAND MASTER" at top left, it also has "BL 38862" and "MONEY" at top right. In fact, "BL 38862" is the matrix number of Side 2 of Eddie Money's album Where's The Party (Columbia FC 38862), released in 1983. This implies the tape reel picture has been "mocked up" for the Bootleg Series package. |
 Columbia FC 38862 (USA, 1983) - LP front picture from www.discogs.com |
 Columbia FC 38862 (USA, 1983) - LP Side 2 picture from www.discogs.com ("BL 38862") |
Sony Music SICP 31211-6 (Japan):
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Sony Music SICP 31211-6 (Japan) - front with obi, picture from www.discogs.com |
 Sony Music SICP 31211-6 (Japan) - rear picture from www.discogs.com (rear of obi?) |
 Sony Music SICP 31211-6 (Japan) - front of Japanese language booklet, picture from www.discogs.com |
 Sony Music SICP 31211-6 (Japan) - inside page of Japanese language booklet, picture from www.discogs.com |
 Sony Music SICP 31211-6 (Japan) - inside page of Japanese language booklet, picture from www.discogs.com |
 Sony Music SICP 31211-6 (Japan) - spine of box, picture from www.discogs.com (spine of obi?) |
 Sony Music SICP 31211-6 (Japan) - inside page of Japanese language booklet, picture from www.discogs.com |
 Sony Music SICP 31211-6 (Japan) - rear of Japanese language booklet, picture from www.discogs.com |
 Sony Music SICP 31211 (Japan) - CD1 picture from www.discogs.com |
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 Sony Music SICP 31212 (Japan) - CD2 picture from www.discogs.com |
 Sony Music SICP 31213 (Japan) - CD3 picture from www.discogs.com |
 Sony Music SICP 31214 (Japan) - CD4 picture from www.discogs.com |
 Sony Music SICP 31215 (Japan) - CD5 picture from www.discogs.com |
 Sony Music SICP 31216 (Japan) - CD6 picture from www.discogs.com |
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The box and the two books for Sony Music SICP 31211-6 were imported from the USA. These scans by "Merurido" were found on www.discogs.com by Sonny Boy McFitzson. I assume the rear and spine scans are actually of a wrap-around obi. Sonny Boy McFitzson has the following comments on the Japanese language booklet:
pg2: It says below Disc5 tracklisting
*Please note Disc5 tracks 3&10 are described as Previously Released in the English liner notes but are actually Previously Unreleased.
However there is no further information in the Japanese exclusive text specifying the previously released takes.
pg3-7: Intro by Ben Rollins/ “Have you ever even listened to these?” by Jeff Slate
pg8-19: Track by Track descriptions
pg20: Summarized Bob Dylan Chronicles 1974 by Heckel Sugano
pg21: STORIES IN THE PRESS intro by Ben Rollins
pg22 (bottom): The whole English texts translated by Heckel Hugano
pg23-27: Essay by Kenta Hagiwara, Sep 2018 (where he points out the misinformation on Tangled Up In Blue and Idiot Wind.)
pg28-46: Officially registered lyrics, no variations printed.
The 1974 version of Spanish Is The Loving Tongue is a full lyrics take minus a verse. The "Moonlight in the patio" verse isn't sung but is on The Basement Tapes version.
pg47-48: Bobtalks transcribed and translated by Yuriko Banno.
Thanks to Bill Hester, Gerd Rundel and Sonny Boy McFitzson for information and scans.
CD Releases (Single CD Edition)
"The Bootleg Series Vol. 14 - More Blood, More Tracks" (Sampler) - promo download release, Columbia/Legacy (no catalogue number) (USA/Canada/Europe), 2 Nov 2018:
This promo sampler has a different track list from the commercial single CD release. Harald Sigvartsen that as well as a download, this was available as a promo CD in the USA and Canada, listed on Discogs.com.
 Picture from Freddy Ordóñez Araque |
1. Tangled Up In Blue (Take 3, Remake 3) - CD6,
track 3, also released on the single CD version (6:30) 2. If You See Her, Say Hello (Take 1) - CD1, track 1, also released on the single CD version (3:51) 3. Up To Me (Take 1) - CD1, track 9 (6:04) 4. You’re Gonna Make Me Lonesome When You Go (Take 5) - CD2, track 16 (5:16) 5. Lily, Rosemary And The Jack Of Hearts (Take 2) - CD1, track 11, also released on the single CD version (9:51) 6. You’re a Big Girl Now (Take 2) - CD1, track 4, also released on the single CD version (4:41) 7. Shelter from the Storm (Take 1) – CD3, track 9, previously released on the Jerry Maguire original soundtrack, 1996 (R-0250, 6:03)) 8. Call Letter Blues (Take 1) – CD2, track 4 (4:42) 9. Simple Twist Of Fate (Take 3A) – CD2, track 3 (4:22) 10. Idiot Wind (Take 6) - CD2, track 11 (8:52) This is not the take included on Blood on the Tracks test pressing (R-0118, see 1974), overdubbed on 8 Oct 1974, but instead the version on The Bootleg Series Vols. 1-3: Rare and Unreleased, 1961-1991, CD2 track 20! |
Thanks to Freddy Ordóñez Araque for information.
"The Bootleg Series Vol. 14 - More Blood, More Tracks" - promo CD releases, Sony Music SDCI-83416 (Japan)/Sony Music SICP 31210 (Japan), 2 Nov 2018:
 Sony Music SICP 31210 (Japan) - front of sealed copy with obi, scan by Gerd Rundel |
The Japanese release was in Blu-spec CD2 format. The promo SDCI-83416 CD in a jewel case on the right has the same track list as the commercial single CD release. The SICP 31210 copy shown is still sealed, with a yellow promo sticker on the rear, partly obscured by the obi. |
 Sony Music SICP 31210 (Japan) - rear of sealed copy with obi and promo sticker, scan by Gerd Rundel |
 Sony Music SDCI-83416 (Japan) - promo CD photo found by Gerd Rundel |
Thanks to Gerd Rundel for information and pictures.
"The Bootleg Series Vol. 14 - More Blood, More Tracks" (Standard Edition) - single CD releases, Columbia/Legacy 19075858982 (USA/Canada); Columbia/Legacy/Sony Music 19075858982 (Europe/Australia), 2 Nov 2018; Sony Music SICP 31210 (Japan), 2 Nov 2018:
Columbia/Legacy 19075858982 (USA):
 Columbia/Legacy 19075858982 (USA) - front of jewel case with sticker, scan by Franck Faugere |
The US CD release has the same front insert booklet as the European release below. The inserts and CD were made in Mexico! The front sticker is slightly smaller than the European sticker. |
 Columbia/Legacy 19075858982 (USA) - rear insert scan by Franck Faugere |
 Columbia/Legacy 19075858982 (USA) - CD scan by Franck Faugere |
Columbia/Legacy 19075858982 (USA) - detail of rear
insert, scan by Franck Faugere
Columbia/Legacy 19075858982 (Canada):
 Columbia/Legacy 19075858982 (Canada) - front with sticker, scan by Jack from Canada |
The Canadian single CD release had an English/French front sticker. Both the rear insert and the CD say that the album was distributed by Sony Music Entertainment Canada, but not where it was made. |
 Columbia/Legacy 19075858982 (Canada) - front English/French sticker scan by Jack from Canada |
 Columbia/Legacy 19075858982 (Canada) - outside of front insert booklet, scan by Jack from Canada |
 Columbia/Legacy 19075858982 (Canada) - rear insert scan by Jack from Canada |
 Columbia/Legacy 19075858982 (Canada) - reverse of rear insert, scan by Jack from Canada |
 Columbia/Legacy 19075858982 (Canada) - inside pages of front insert booklet, scan by Jack from Canada |
 Columbia/Legacy 19075858982 (Canada) - detail of CD, scan by Jack from Canada ("Sony Music Entertainment Canada") |
 Columbia/Legacy 19075858982 (Canada) - CD scan by Jack from Canada |
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Columbia/Legacy 19075858982 (Canada) - detail of
rear insert, scan by Jack from Canada ("Sony Music Entertainment Canada")
Columbia/Legacy/Sony Music 19075858982 (Europe):
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Columbia/Legacy/Sony Music 19075858982 (Europe) - front of jewel case with sticker (my copy) |
The front insert is a 28-page stapled booklet. The rear insert and CD were made In The EU but the front insert could come from the USA, as it has no European information, unlike the information on the Australian booklet below. The CD design is a pastiche of that of the Columbia Reference Recording from 1974. |
 Blood On The Tracks Columbia Reference Recording - Side 1 scan by Gerd Rundel (1974) |
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 Columbia/Legacy/Sony Music 19075858982 (Europe) - front sticker |
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 Columbia/Legacy/Sony Music 19075858982 (Europe) - rear of jewel case |
 Columbia/Legacy/Sony Music 19075858982 (Europe) - rear insert |
 Columbia/Legacy/Sony Music 19075858982 (Europe) - reverse of rear insert under clear CD tray |
 Columbia/Legacy/Sony Music 19075858982 (Europe) - CD |
 Columbia/Legacy/Sony Music 19075858982 (Europe) - inside pages from front insert booklet |
 Columbia/Legacy/Sony Music 19075858982 (Europe) - detail of inside page from front insert booklet (no country information or Sony Music logo - compare with Australian release below) |
 Columbia/Legacy/Sony Music 19075858982 (Europe) - detail of CD ("Made In The EU") |
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Columbia/Legacy/Sony Music 19075858982 (Europe) -
detail of rear insert (Gütersloh, Germany address, "Made In The EU")
Sony Music SICP 31210 (Japan):
 Sony Music SICP 31210 (Japan) - front with obi, scan by Sonny Boy McFitzson (sealed copy) |
This Japanese release has a Blu-spec CD2 format disc. The copy shown is still sealed. |
 Sony Music SICP 31210 (Japan) - rear with obi, scan by Sonny Boy McFitzson (sealed copy) |
Columbia/Legacy/Sony Music 19075858982 (Australia):
 Columbia/Legacy/Sony Music 19075858982 (Australia) - front scan by Stuart Moore |
The Australian artwork and CD design are virtually identical to the European equivalents. The inserts and disc were made in Australia. |
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 Columbia/Legacy/Sony Music 19075858982 (Australia) - rear insert scan by Stuart Moore |
 Columbia/Legacy/Sony Music 19075858982 (Australia) - CD scan by Stuart Moore |
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 Columbia/Legacy/Sony Music 19075858982 (Australia) - reverse of rear insert, scan by Stuart Moore |
Columbia/Legacy/Sony Music 19075858982 (Australia) -
detail of rear insert, scan by Stuart Moore ("Distributed in Australia by
Sony Music Entertainment Australia Pty. Ltd.")
Thanks to Stuart Moore and Franck Faugere for information and scans.
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 The Bootleg Series Vol. 14 - More Blood, More Tracks (2018) |
The Bootleg Series Vol. 15 - Travelin' Thru 1967-1969 (2019) |
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