Infinity Goes Up On Trial (+)
A focus on ideas central to the depth of Bob Dylan’s music, art, and writing in a broader social, cultural, and political context. Discussing these concepts with scholars, artists, educators, activists, and myriad experts, we explore how Dylan’s ideas reflect and encompass all aspects of human existence.
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Erin Callahan
Erin Callahan teaches English at San Jacinto College in Houston, Texas, where she has been a faculty member since 2007. She completed her Ph.D. in Modern History and Literature at Drew University in 2014, writing her dissertation on Bob Dylan’s identity construction and the American voice.
Erin is a regular contributor to The Dylantantes Substack and is co-editor of “The Politics and Power of Bob Dylan’s Live Performances: Play a Song for Me” with Court Carney, a collection of essays about Dylan’s live performances that was published by Routledge in 2023.
She has presented on Bob Dylan at many conferences, including ACA/PCA, “Bob Dylan in the 21st Century” in Arras, France, and The World of Bob Dylan, in Tulsa, Oklahoma 2019 and 2023.
In Chronicles, Dylan writes of a mid-1950’s encounter with Gorgeous George, “Suddenly, the doors burst open and in came Gorgeous George himself. He roared in like the storm, didn’t go through the backstage area, he came right through the lobby of the building and he seemed like forty men. It was Gorgeous George, in all his magnificent glory with all the lightening and vitality you’d expect” (44). Dylan describes the troupe accompanying Gorgeous George – the coterie of wrestlers, valets, women with roses – and seems impressed with the spectacle and energy of the scene. He continues, “He brushed by the makeshift stage and glanced towards the sound of the music. He didn’t break stride, but he looked at me, eyes flashing with moonshine. He winked and seemed to mouth, “You’re making it come alive” (44). Real, fabricated, or imagined, this encounter reveals something about Dylan’s approach to performance. In this episode, my good friend, Dylanologist, and fellow January baby, Henry Bernstein expands the reach of this show’s focus by discussing the parallels between Bob Dylan and professional wrestling. From babyfaces to heels to the spectacle of performance and Dylan’s influence on professional wrestlers, Henry combines two of his loves to illustrate the depth and breadth of Dylan’s social and cultural influence.
Henry Bernstein is the host of the fantastic new(ish) Dylan podcast Songs of Experience: A Bob Dylan Podcast, which I highly recommend (link below). Through his encyclopedic knowledge, his enthusiasm for all things Dylan, and generous interviews, Henry is deepening our understanding of Dylan’s work one song at a time. When he’s not talking, posting, and texting about Dylan, seeing Dylan, or generally obsessing about Dylan, Henry works in Operations and Logistics for a Jewish Day School in Chicago. In addition to Dylan and wrestling, Henry’s great loves are his family, the Chicago White Sox, Superman, Star Trek, and Taylor Swift.
A Video Version of this Episode is Available at TheFM.Club
Links:
- Bluesky: @hentrybernstein.bsky.social
- Songs Of Experience: https://www.youtube.com/@songsofbobdylan
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- Infinity Goes Up On Trial - Episode Directory
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