Cult Following reviews Bob Dylan's Bleeding Shadows bootleg, documenting a 2004 Motril, Spain concert where Dylan experiments with rearranged classics and evolving vocals.

In this retrospective article, Guitar Player details Mark Knopfler's production of Bob Dylan's 1983 album Infidels at New York's Power Station studio.

In a Substack post centered on Bob Dylan's 2002 Red Bluff, California concert, Joker and the Thief shares a remixed Crystal Cat recording and Michael Glover Smith's original review.

On January 17 and 18, Bob Dylan used Instagram to share vintage performance videos, fan artwork, and the essay The Academy with a global audience.

On 2026-01-23, hughsviews.blog published a blog post analyzing Bob Dylan's Visions of Johanna through themes of mid-1960s relationships, morality, and Christian theology.

In May 1963 at Brandeis University in Massachusetts, Bob Dylan performed a short concert that was taped, misplaced for decades, and officially released in 2010.

Bob Dylan displayed an Oscar on stage during the Spring 2001 Australia tour and kept it there until 2019.

At Renovatio, an essay analyzes Bob Dylan's Every Grain of Sand and artistic influences through Jacques Maritain's aesthetic theory of creative intuition.

In this Substack article, John Nogowski revisits Bob Dylan's 1967 Basement Tapes sessions with The Band at Big Pink in Saugerties, New York.

On 1975-03-23, Bob Dylan joined Neil Young and guests at San Francisco’s SNACK Benefit Concert at Kezar Stadium to support local school programs.

Fred Bals, on Medium in the 2020s, analyzes Bob Dylan's Instagram stories.

Dylan's John Wesley Harding (1967) is described as a restrained inward turn after the electric controversy, emphasizing language over spectacle.