Stories In The Press

January 19, 2026

Everything new in the world of Bob Dylan

Last Updated: 1/19/2026 at 3:04 PM EST

Grouped and ranked items from the last 24 hours (or so).

Dylan Daily

Dylan News

Parade / Isabella Torregiani
Bob Dylan posted a cryptic Instagram slideshow over the weekend, prompting speculation about a forthcoming novel and possible AI authorship.

Dylan Articles

SlaveToMusic /
Dylan's John Wesley Harding (1967) is described as a restrained inward turn after the electric controversy, emphasizing language over spectacle.
Collider / Val Barone
George Harrison co-wrote "I'd Have You Anytime" with Bob Dylan in the late 1960s, and the song opened Harrison’s All Things Must Pass album.
Far Out Magazine / Tim Coffman
In 1988 George Harrison, Bob Dylan and collaborators recorded Traveling Wilburys Vol. 1 in informal locations including Dylan's home studio and Dave Stewart's kitchen.
The Pop Blog / Daniel Aloc
Nada Surf revisits Blonde on Blonde on its 60th anniversary in 2026 in an online article.
The Dylanologists /
The Dylanologists report on The Bootleg Series Volumes 1-3 on the Substack site, noting the 1991 release and upcoming discussions of Volumes 2 and 3.
Grunge / Andrew Amelinckx
Dylan and other artists are discussed in a survey of crossover songs from the 1960s to the 1980s across American rock history.
American Songwriter / Matt Friedlander
Stan Lynch recalls Dylan tours in 1986 and 1987 with Tom Petty and The Heartbreakers across New Zealand, Australia, Japan, Israel, Europe, and North America.
American Songwriter / Erinn Callahan
Hargus Pig Robbins died on January 30, 2022 in Nashville, Tennessee.
Far Out Magazine / Lauren Hunter
Bob Dylan discusses Love and Theft in a Far Out Magazine feature ahead of its 25th anniversary later this year.
American Songwriter / Peter Burditt
Dylan's songs appear in the films Dazed and Confused (1993), Jerry Maguire (1996), and The Big Lebowski (1998) in the United States.
Orlando Sentinel / Kenneth Seeskin
On 2026-01-18, the Orlando Sentinel published an opinion arguing for philosophy and critical thinking in the AI era.
American Songwriter / Jim Beviglia
Four artists Billy Joel, Jesus Jones, Counting Crows, and Hootie & The Blowfish name Bob Dylan in four hit singles released between 1989 and 1994, according to an online American Songwriter article.
American Songwriter / Alex Hopper
In the late 1970s, John Lennon criticized Dylan's Gotta Serve Somebody in interviews, citing its religious message.
Observation Blogger /
On 2026-01-18, Donovan's To Sing For You interaction with Bob Dylan during the 1965 UK tour is discussed, including the Savoy Hotel sequence filmed for Don't Look Back in London.

Dylan Posts

Unsteady / Dan Rather
Johnny Cash and Dylan recorded Girl From the North Country for Nashville Skyline and performed it on the premiere of The Johnny Cash Show in 1969.
John’s Substack / John Nogowski
Nogowski's Substack post in recent weeks reflects on his decades of vinyl collecting and Dylan related items from Massachusetts and online.

Releases & Reviews

Cult Following / Ewan Gleadow
On 2026-01-19, Cult Following published a review criticizing Dylan's Gospel Plow and related playlists on the official YouTube channel for misrepresenting sources and context.
Cult Following / Ewan Gleadow
Dylan's live compilation The Best of Hammersmith Apollo, drawn from three 1993 performances at the Hammersmith Apollo in London, is reviewed.

7 Latest Podcasts

Episode Image
EP#11 - Talkin' World War III Hollis Brown Blues
Bob Dylan Approximately (2026-01-19)
Episode Image
22. Tryin' To Get To Heaven with Steven Rings (What Did You Hear?)
Songs of Experience: A Bob Dylan Podcast (2026-01-15)
Episode Image
Jerry Pentecost: The Long Game | MCP #312
Morse Code Podcast with Korby Lenker (2026-01-15)

Sorted most to least recently added (last 36 hours).

SITP

Recently Added

Added: 0 hrs ago
The Pop Blog / Daniel Aloc / Article - 1/18/2026
Nada Surf revisits Blonde on Blonde on its 60th anniversary in 2026 in an online article.
Added: 0 hrs ago
SlaveToMusic / / Article - 1/18/2026
Dylan's John Wesley Harding (1967) is described as a restrained inward turn after the electric controversy, emphasizing language over spectacle.
Added: 1 hrs ago
Parade / Isabella Torregiani / News - 1/18/2026
Bob Dylan posted a cryptic Instagram slideshow over the weekend, prompting speculation about a forthcoming novel and possible AI authorship.
Added: 6 hrs ago
Cult Following / Ewan Gleadow / Album Review - 1/18/2026
On 2026-01-19, Cult Following published a review criticizing Dylan's Gospel Plow and related playlists on the official YouTube channel for misrepresenting sources and context.
Added: 12 hrs ago
Far Out Magazine / Tim Coffman / Article - 1/17/2026
In 1988 George Harrison, Bob Dylan and collaborators recorded Traveling Wilburys Vol. 1 in informal locations including Dylan's home studio and Dave Stewart's kitchen.
Added: 12 hrs ago
The Dylanologists / / Article - 1/18/2026
The Dylanologists report on The Bootleg Series Volumes 1-3 on the Substack site, noting the 1991 release and upcoming discussions of Volumes 2 and 3.
Added: 18 hrs ago
American Songwriter / Erinn Callahan / Article - 1/17/2026
Hargus Pig Robbins died on January 30, 2022 in Nashville, Tennessee.
Added: 18 hrs ago
American Songwriter / Matt Friedlander / Article - 1/17/2026
Stan Lynch recalls Dylan tours in 1986 and 1987 with Tom Petty and The Heartbreakers across New Zealand, Australia, Japan, Israel, Europe, and North America.
Added: 18 hrs ago
Grunge / Andrew Amelinckx / Article - 1/17/2026
Dylan and other artists are discussed in a survey of crossover songs from the 1960s to the 1980s across American rock history.
Added: 18 hrs ago
Collider / Val Barone / Article - 1/18/2026
George Harrison co-wrote "I'd Have You Anytime" with Bob Dylan in the late 1960s, and the song opened Harrison’s All Things Must Pass album.
Added: 20 hrs ago
American Songwriter / Peter Burditt / Article - 1/17/2026
Dylan's songs appear in the films Dazed and Confused (1993), Jerry Maguire (1996), and The Big Lebowski (1998) in the United States.
Added: 20 hrs ago
Cult Following / Ewan Gleadow / Album Review - 1/17/2026
Dylan's live compilation The Best of Hammersmith Apollo, drawn from three 1993 performances at the Hammersmith Apollo in London, is reviewed.
Added: 27 hrs ago
Observation Blogger / / Article - 1/17/2026
On 2026-01-18, Donovan's To Sing For You interaction with Bob Dylan during the 1965 UK tour is discussed, including the Savoy Hotel sequence filmed for Don't Look Back in London.
Added: 27 hrs ago
Unsteady / Dan Rather / Blog Post - 1/17/2026
Johnny Cash and Dylan recorded Girl From the North Country for Nashville Skyline and performed it on the premiere of The Johnny Cash Show in 1969.

The most interesting new facts and opinions.

SITP

Best Of The Last 10 Days

Rating: ⭐⭐⭐⭐⭐
Flaggin Down The Double E's / Ray Padgett / Blog Post - 1/14/2026
In an article on Flagging Down, the author surveys Bob Dylan's 1975–1978 live performances of "One More Cup of Coffee," including Rolling Thunder and 1978 tour versions.
Dylan Revisited / / Blog Post - 1/14/2026
In a Dylan Revisited blog post, the author analyzes Bob Dylan's 1961-62 Gaslight Cafe performances in New York's Greenwich Village and their 2005 partial Starbucks release.
Untold Dylan / Tony Attwood / Blog Post - 1/13/2026
In an analytical blog post on bob-dylan.org.uk, Tony Attwood studies Bob Dylan's 1973 love songs Something There Is About You and You Angel You.
Broken Bottle Boy / Mic Wright / Blog Post - 1/13/2026
In an online essay, a Substack writer examines Bob Dylans Its Alright Ma by comparing the 1965 studio recording with 1970s live performances, especially at Tokyos Budokan.
The Spectator Australia / Frank Lawton / Article - 1/13/2026
In 2026, The Spectator Australia published a review criticizing Ron Rosenbaum's Bob Dylan book Things Have Changed for speculative arguments and factual mistakes.
MOJO Magazine / Grayson Haver Currin / Article - 1/12/2026
Robert Polito's feature on Dylan's memory palace was published by Mojo on 2026-01-13.
Stereogum / Chris DeVille / News - 1/12/2026
The Bob Dylan Center in Tulsa announced Sooner Or Later: Celebrating The 60th Anniversary Of Blonde On Blonde at Cain's Ballroom, Tulsa.
The Spectator / Frank Lawton / Article - 1/12/2026
A Spectator article reviews Ron Rosenbaum's Bob Dylan book Things Have Changed, critiquing its speculative arguments and treatment of Dylan's Holocaust and Christian-conversion themes.
Cult Following / Ewan Gleadow / Album Review - 1/11/2026
On 2026-01-12, Cult Following published a review of Slow Coming Home, a bootleg album documenting Bob Dylan's 2022 Rough and Rowdy Ways tour performances.
At The Barrier / John Barlass / Album Review - 1/11/2026
On 2026-01-12, At The Barrier published a review of Ace Records' Highway Of Diamonds compilation of black American Bob Dylan covers.
Untold Dylan / Tony Attwood / Blog Post - 1/11/2026
On bob-dylan.org.uk the article analyzes why Can You Please Crawl Out Your Window? has few successful covers since the mid 1960s.
Glide Magazine / Doug Collette / Article - 1/9/2026
In a 50th-anniversary retrospective, Glide Magazine reviews Bob Dylan's 1976 album Desire in the context of the Rolling Thunder Revue era.
Far Out Magazine / Sam Kemp / Article - 1/9/2026
In 1964, Bob Dylan released 'The Times They Are A-Changin'' in the United States as a consciously crafted civil rights anthem.
Flagging Down The Double E's / Ray Padgett / Blog Post - 1/9/2026
The article documents backstage conversations at Cain's Ballroom with Mikael Jorgensen and Ethan Miller about performing Bob Dylan songs for the Dylan Center's Going Electric concerts.

The most interesting tidbits pulled from recent articles.

Facts & Quotes

Facts & Quotes

The best details from recent stories
Dylan brought a unique poetic language (echoing Rimbaud and the Beats) into 1960s popular song and thereby 'blew the lid off' conventional pop lyricism. [88]
Published by: Mitch Bogen Blog / Mitch Bogen in Never Just One Thing Pt XIX Dylan
When Dylan brought his unique poetic language into the popular song of 60s, it blew the lid off everything for everyone going forward — Punk. Rap. Cosmic country. Classic rock. [88]
Published by: Mitch Bogen Blog / Mitch Bogen in Never Just One Thing Pt XIX Dylan
Dylan brought Beat-style incantatory, prophetic language and Rimbaud-like Symbolist leanings into 1960s popular song, freeing pop to embrace more ambitious forms. [88]
Published by: Mitch Bogen Blog / Mitch Bogen in Never Just One Thing Pt XIX Dylan
A Hard Rain's A-Gonna Fall was performed at the Gaslight days before the Cuban Missile Crisis became public and had its live debut the previous month at the Carnegie Hall Hootenanny. [85]
Published by: Dylan Revisited / in The Gaslight Tapes 1961–62
“I wrote that song at Hemingway’s house. I think there’s a lot of him in it. I don’t know for sure. I suspect it.” — Dylan (Liverpool, 3 Nov 2024) [85]
Published by: Untold Dylan / Tony Attwood in Key West Part 1: Andorra
Dylan publicly embraced evangelical Christianity in 1979–1980, centered on the Warfield Theatre residency and the albums Slow Train Coming and Saved. [85]
Published by: From the Pen of Chris Gregory / Chris Gregory in Dylan's Gospel Years (Part One) From 'Minstrel Boy
Although A Hard Rain's A-Gonna Fall is often said to be about the Cuban Missile Crisis, Dylan performed it at the Gaslight days before the crisis became public and had debuted it earlier at the Carnegie Hall Hootenanny. [85]
Published by: Dylan Revisited / in The Gaslight Tapes 1961–62
Tom Taylor claims Dylan's 'Blowin' in the Wind' prompted 250,000 people to march on Washington. [85]
Published by: Far Out Magazine / Tom Taylor in Dylan’s Most Overrated Classic Album
In Scorsese's No Direction Home, Allen Ginsberg said hearing 'A Hard Rain's a-Gonna Fall' showed the Beat torch had been passed to a new generation. [80]
Published by: Mitch Bogen Blog / Mitch Bogen in Never Just One Thing Pt XIX Dylan
"I wrote that song at Hemingway's house. I think there's a lot of him in it. I don't know for sure. I suspect it." — Dylan, Liverpool, 3 Nov 2024 [80]
Published by: Untold Dylan / Tony Attwood in Key West Part 1: Andorra
Tom Taylor: 'Blowin' in the Wind' prompted 250,000 citizens to march on Washington. [80]
Published by: Far Out Magazine / Tom Taylor in Dylan’s Most Overrated Classic Album
The Gaslight Tapes is the name given to a 1962 recording of a pair of live Dylan sets at New York’s Gaslight Café and are often considered one of rock music’s first bootlegs. [80]
Published by: Dylan Revisited / in The Gaslight Tapes 1961–62
Even after he was a world famous figure, what mattered most to him was what someone like the Beat poet Allen Ginsberg thought of his work. [80]
Published by: Mitch Bogen Blog / Mitch Bogen in Never Just One Thing Pt XIX Dylan
Even after Dylan was world famous, what mattered most to him was what Allen Ginsberg thought of his work. [80]
Published by: Mitch Bogen Blog / Mitch Bogen in Never Just One Thing Pt XIX Dylan
Dylan publicly embraced evangelical Christianity in 1979–1980, centering on the Warfield Theatre residency and the Slow Train Coming and Saved material. [80]
Published by: From the Pen of Chris Gregory / Chris Gregory in Dylan's Gospel Years (Part One) From 'Minstrel Boy
The Gaslight Tapes is the name given to a 1962 recording of a pair of live Dylan sets at New York’s Gaslight Café; they're often considered one of rock music’s first bootlegs. [80]
Published by: Dylan Revisited / in The Gaslight Tapes 1961–62
Even after he was a world famous figure, what mattered most to him was what Allen Ginsberg thought of his work. [80]
Published by: Mitch Bogen Blog / Mitch Bogen in Never Just One Thing Pt XIX Dylan
Tony Attwood: Dylan said in Liverpool on 3 Nov 2024, 'I wrote that song at Hemingway’s house. I think there's a lot of him in it. I don't know for sure. I suspect it.' [80]
Published by: Untold Dylan / Tony Attwood in Key West Part 1: Andorra
A September 6, 1961 Gaslight recording is one of the earliest recordings of Dylan playing his own compositions. [80]
Published by: Dylan Revisited / in The Gaslight Tapes 1961–62
Dylan: "I wrote that song at Hemingway's house. I think there's a lot of him in it. I don't know for sure. I suspect it." [80]
Published by: Untold Dylan / Tony Attwood in Key West Part 1: Andorra
Tom Taylor writes: 'From John Lennon to David Bowie, a legion of stars cited Dylan as the turning point in pop.' [80]
Published by: Far Out Magazine / Tom Taylor in Dylan’s Most Overrated Classic Album
Allen Ginsberg was moved to tears recalling how, upon hearing Dylan's 'A Hard Rain's a-Gonna Fall,' he knew the Beat torch had been passed to a new generation. [80]
Published by: Mitch Bogen Blog / Mitch Bogen in Never Just One Thing Pt XIX Dylan
Chris Gregory: During the gospel years Dylan prioritized conviction and religious messaging over the lyrical ambiguity that had defined his earlier work. [80]
Published by: From the Pen of Chris Gregory / Chris Gregory in Dylan's Gospel Years (Part One) From 'Minstrel Boy
The gospel period shows Dylan prioritizing conviction and religious messaging over the lyrical ambiguity that had defined his earlier work, producing directness and dogmatism. [78]
Published by: From the Pen of Chris Gregory / Chris Gregory in Dylan's Gospel Years (Part One) From 'Minstrel Boy
Even after he was world famous, what mattered most to Dylan was what Allen Ginsberg thought of his work, not mainstream awards like the Grammys or the Nobel. [78]
Published by: Mitch Bogen Blog / Mitch Bogen in Never Just One Thing Pt XIX Dylan
Authors Philippe Margotin and Jean-Michel Guesdon report Dylan gave a New York concert the day after JFK's assassination and launched into 'The Times They Are A-Changin''. [78]
Published by: State of Sound / David Rea in Dylan's Defiant Voice In Heartbroken America
Dylan performed 'A Hard Rain’s A-Gonna Fall' live before the Cuban Missile Crisis became public, having given its live debut the previous month at the Carnegie Hall Hootenanny. [78]
Published by: Dylan Revisited / in The Gaslight Tapes 1961–62
Dylan performed 'The Ballad of Hollis Brown' at the Gaslight two years before its official release on The Times They Are A-Changin', including an extra verse about bed bugs and gangrene. [75]
Published by: Dylan Revisited / in The Gaslight Tapes 1961–62
Tom Taylor: 'Masters of War' kickstarted a revolution the FBI would actively try to neutralise. [75]
Published by: Far Out Magazine / Tom Taylor in Dylan’s Most Overrated Classic Album
In Scorsese's No Direction Home, Allen Ginsberg was moved to tears hearing "A Hard Rain's a-Gonna Fall" and said the Beat torch had been passed to a new generation. [75]
Published by: Mitch Bogen Blog / Mitch Bogen in Never Just One Thing Pt XIX Dylan
Biographer Clinton Heylin has pointed out moving into a tiny West 4th Street apartment marked a significant creative shift toward topical songwriting. [75]
Published by: State of Sound / David Rea in Dylan's Defiant Voice In Heartbroken America
According to Philippe Margotin and Jean-Michel Guesdon, Dylan gave a New York concert the day after JFK's assassination and launched into 'The Times They Are A-Changin'', receiving a huge standing ovation. [75]
Published by: State of Sound / David Rea in Dylan's Defiant Voice In Heartbroken America
This is Dylan's most powerful and visceral political album, containing 'The Lonesome Death of Hattie Carroll', 'The Times They Are A-Changin'', and poignant love songs like 'One Too Many Mornings'. [75]
Published by: State of Sound / David Rea in Dylan's Defiant Voice In Heartbroken America
Dylan performed 'The Ballad of Hollis Brown' at the Gaslight Café two years before its official release on The Times They Are A‑Changin'. [75]
Published by: Dylan Revisited / in The Gaslight Tapes 1961–62
"One More Cup of Coffee" is the most-played Desire song by some margin, with over 100 performances in 1978 alone. [75]
Published by: Flaggin Down The Double E's / Ray Padgett in Now It Goes Like This One More Cup
Beginning in 1976 Dylan began changing the bridge lyrics of "One More Cup of Coffee" so frequently that practically every performance featured new words; the author found four distinct stanzas. [75]
Published by: Flaggin Down The Double E's / Ray Padgett in Now It Goes Like This One More Cup
Dylan's first electric guitarist was Mike Bloomfield; Dylan's shift to electric was not a commercial calculation and his early electric tours generated boos from audiences. [75]
Published by: Mitch Bogen Blog / Mitch Bogen in Never Just One Thing Pt XIX Dylan
Biographer Clinton Heylin said moving into a tiny West 4th Street apartment with Suze Rotolo marked a significant creative shift toward topical songwriting. [75]
Published by: State of Sound / David Rea in Dylan's Defiant Voice In Heartbroken America
The Gaslight Tapes is the name given to a 1962 recording of a pair of live Dylan sets at New York’s Gaslight Café; they’re often considered one of rock music’s first bootlegs. [75]
Published by: Dylan Revisited / in The Gaslight Tapes 1961–62
The 1978 tour developed two versions: At Budokan removed Scarlet Rivera's violin and added sax, backing vocals, and Bobbye Hall percussion; later 1978 stretched the song and added repeated 'to the valley below' refrains sung by backing singers and Dylan. [75]
Published by: Flaggin Down The Double E's / Ray Padgett in Now It Goes Like This One More Cup
Even after he was world famous, what mattered most to him was what Allen Ginsberg thought of his work, not mainstream awards. [75]
Published by: Mitch Bogen Blog / Mitch Bogen in Never Just One Thing Pt XIX Dylan
In Liverpool on 3 November 2024 Dylan said: 'I wrote that song at Hemingway’s house. I think there’s a lot of him in it. I don’t know for sure. I suspect it.' [75]
Published by: Untold Dylan / Tony Attwood in Key West Part 1: Andorra
Tom Taylor: "Did any of them prompt 250,000 upstanding citizens to march on Washington as 'Blowin' in the Wind' did?" [75]
Published by: Far Out Magazine / Tom Taylor in Dylan’s Most Overrated Classic Album
After his relationship with Suze Rotolo ended, Dylan increased wine, marijuana, amphetamine and added LSD, and the LSD probably opened perceptions that led to songs like 'Mr Tambourine Man', 'Desolation Row' and 'Visions of Johanna'. [72]
Published by: State of Sound / David Rea in Dylan's Defiant Voice In Heartbroken America
The first Gaslight recording happened on September 6th, 1961, weeks before Dylan’s pivotal Gerdes show and before Dylan first met Columbia exec John Hammond. [72]
Published by: Dylan Revisited / in The Gaslight Tapes 1961–62

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